{"title":"Clouds as chaos machines","authors":"Vincent Barletta","doi":"10.1080/08831157.2021.1960112","DOIUrl":null,"url":null,"abstract":"Abstract In the present essay, I explore the status of clouds in the lyric and epic poetry of early modern Portuguese poet, Luís Vaz de Camões (1524?–1580). Through a close reading of the elegy “O poeta Simónides, falando” (The poet Simonides, speaking) and the Adamastor episode in canto five of Os Lusíadas (1572), I analyze Camões’s poetic rendering of clouds and storms at the Cape of Good Hope and their connection to sixteenth-century theories of the “machine of the world.” To flesh out these theories, I explore more contemporary poetic work on clouds, sponges, and nets. Finally, I build on the account of “desiring machines” found at the beginning of Gilles Deleuze’s and Félix Guattari’s Anti-Oedipus: Capitalism and Schizophrenia to link Camões’s account of Cape storms to broader notions of machines, desire, empire, and human experience.","PeriodicalId":41843,"journal":{"name":"ROMANCE QUARTERLY","volume":"68 1","pages":"130 - 143"},"PeriodicalIF":0.1000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ROMANCE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08831157.2021.1960112","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract In the present essay, I explore the status of clouds in the lyric and epic poetry of early modern Portuguese poet, Luís Vaz de Camões (1524?–1580). Through a close reading of the elegy “O poeta Simónides, falando” (The poet Simonides, speaking) and the Adamastor episode in canto five of Os Lusíadas (1572), I analyze Camões’s poetic rendering of clouds and storms at the Cape of Good Hope and their connection to sixteenth-century theories of the “machine of the world.” To flesh out these theories, I explore more contemporary poetic work on clouds, sponges, and nets. Finally, I build on the account of “desiring machines” found at the beginning of Gilles Deleuze’s and Félix Guattari’s Anti-Oedipus: Capitalism and Schizophrenia to link Camões’s account of Cape storms to broader notions of machines, desire, empire, and human experience.
在本文中,我探讨了云在早期现代葡萄牙诗人Luís Vaz de Camões(1524? -1580)的抒情和史诗中的地位。通过仔细阅读挽歌《O poeta Simónides, falando》(诗人西蒙尼德斯的演讲)和《Os Lusíadas》(1572)第五章中的Adamastor章节,我分析了Camões对好望角云和风暴的诗意描绘,以及它们与16世纪“世界机器”理论的联系。为了充实这些理论,我探索了更多关于云、海绵和网的当代诗歌作品。最后,我在吉尔·德勒兹(Gilles Deleuze)和f lix Guattari的《反俄狄普斯:资本主义和精神分裂症》(Anti-Oedipus: Capitalism and Schizophrenia)开头对“欲望机器”的描述基础上,将Camões对开普风暴的描述与机器、欲望、帝国和人类经验等更广泛的概念联系起来。
期刊介绍:
Lorca and Baudelaire, Chrétien de Troyes and Borges. The articles in Romance Quarterly provide insight into classic and contemporary works of literature originating in the Romance languages. The journal publishes historical and interpretative articles primarily on French and Spanish literature but also on Catalan, Italian, Portuguese, and Brazilian literature. RQ contains critical essays and book reviews, mostly in English but also in Romance languages, by scholars from universities all over the world. Romance Quarterly belongs in every department and library of Romance languages.