{"title":"„Ein Unbekanntes ist nur der Geschmack“. Zu Levin Ludwig Schückings literatursoziologischem Ansatz","authors":"Sandra Schell, Tilman Venzl","doi":"10.1515/iasl-2021-0022","DOIUrl":null,"url":null,"abstract":"Abstract The article reconstructs Levin Ludwig Schücking’s History of Taste as a method of writing literary history. Moreover, it lays out, for the first time, the cultural and literary-political dimensions of his approach by considering the context of the history of literary studies comprehensively. The article demonstrates how Schücking refers to sociology in a twofold manner: as a way of scholarly thinking that is related to certain methodological techniques, and as a way to overcome the “crisis of modernity” manifested in the rift between authors and readers in literary life.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"46 1","pages":"393 - 418"},"PeriodicalIF":0.2000,"publicationDate":"2021-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/iasl-2021-0022","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract The article reconstructs Levin Ludwig Schücking’s History of Taste as a method of writing literary history. Moreover, it lays out, for the first time, the cultural and literary-political dimensions of his approach by considering the context of the history of literary studies comprehensively. The article demonstrates how Schücking refers to sociology in a twofold manner: as a way of scholarly thinking that is related to certain methodological techniques, and as a way to overcome the “crisis of modernity” manifested in the rift between authors and readers in literary life.