Political language and fake news

IF 0.7 3区 社会学 0 ASIAN STUDIES Indonesia and the Malay World Pub Date : 2021-01-02 DOI:10.1080/13639811.2021.1862496
Timo Duile, Sukri Tamma
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引用次数: 2

Abstract

ABSTRACT This article outlines political symbolism and language in the 2019 election in Indonesia and aims to situate fake news narratives within them. By analysing official election campaign posters (spanduk), it is argued that Islam and nationalism are the only ideological references and are applied by both camps, leaving no room for other forms of ideological contestation. The article suggests understanding this phenomenon as a hegemonic, Gramscian ‘common sense’ which creates a notion of unity of the nation. This unity, however, is disturbed by hoaxes as in fake news. But instead of referring to hoaxes only as a threat to Indonesian politics, we argue that hoaxes are an integral part of the ‘common sense’. Hoaxes are a means to make the ideological framework of Islam and nationalism accessible for the popular masses, applying a kasar (rough) approach, contradicting the halus (soft) language of the political elite. They are also inevitably a means to create the impression that the camps are distinct. As hoaxes refer to the constitutive outside of the nationalism-Islam complex (as Islamists suggest that Jokowi has ties to the outlawed Communist Party or that Prabowo aims to establish an Islamic state, for instance), they serve the function of maintaining the ideological order in post-New Order Indonesia.
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政治语言和假新闻
本文概述了2019年印度尼西亚选举中的政治象征和语言,旨在将假新闻叙事置于其中。通过分析官方竞选海报(spanduk),有人认为伊斯兰教和民族主义是唯一的意识形态参考,并被两个阵营应用,没有给其他形式的意识形态竞争留下空间。本文建议将这种现象理解为一种霸权的、葛兰西式的“常识”,它创造了一种民族统一的概念。然而,这种团结受到假新闻等恶作剧的干扰。但我们不认为恶作剧是对印尼政治的威胁,我们认为恶作剧是“常识”的一个组成部分。骗局是一种使伊斯兰教和民族主义的意识形态框架为大众所接受的手段,采用了一种与政治精英的软语言相矛盾的kasar(粗暴)方法。它们也不可避免地成为一种制造两大阵营截然不同印象的手段。由于骗局指的是民族主义-伊斯兰复合体之外的构成(例如,伊斯兰主义者认为佐科维与被取缔的共产党有联系,或者普拉博沃的目标是建立一个伊斯兰国家),它们在后新秩序印尼中发挥着维持意识形态秩序的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.00
自引率
0.00%
发文量
17
期刊介绍: Indonesia and the Malay World is a peer-reviewed journal that is committed to the publication of scholarship in the arts and humanities on maritime Southeast Asia. It particularly focuses on the study of the languages, literatures, art, archaeology, history, religion, anthropology, performing arts, cinema and tourism of the region. In addition to welcoming individual articles, it also publishes special issues focusing on a particular theme or region. The journal is published three times a year, in March, July, and November.
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