{"title":"Guerrilla memoirists: recovering intimacy in the margins of First World War memoirs","authors":"E. Rosenhaft","doi":"10.1080/23337486.2019.1612143","DOIUrl":null,"url":null,"abstract":"ABSTRACT In the growing scholarship on marginalia, relatively little attention has been given to their function in military memoirs. This article proposes that modern military marginalia have a quality of their own, if we accept Yuval Noah Harari’s diagnosis of a ‘modern war culture’ emerging from the concurrent developments of an expanding book market and a post-Enlightenment epistemology that attributes special significance to the experience and remembrance of war. In the light of this ambivalent quality of modernity, the military annotator can be seen as a ‘guerrilla memoirist’, re-appropriating the intimate conversation among combatants in tacit challenge to the commodification and marketization of their shared experience. The article draws on historical examples of military marginalia and on Lewis Hyde’s account of the gift relationship to contextualize a case study: the annotations (including a pasted-in trench map) made by an American First World War veteran in a copy of Storm of Steel, the 1929 American edition of Ernst Jünger’s best-selling war memoir In Stahlgewittern.","PeriodicalId":37527,"journal":{"name":"Critical Military Studies","volume":"6 1","pages":"204 - 223"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/23337486.2019.1612143","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Military Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/23337486.2019.1612143","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT In the growing scholarship on marginalia, relatively little attention has been given to their function in military memoirs. This article proposes that modern military marginalia have a quality of their own, if we accept Yuval Noah Harari’s diagnosis of a ‘modern war culture’ emerging from the concurrent developments of an expanding book market and a post-Enlightenment epistemology that attributes special significance to the experience and remembrance of war. In the light of this ambivalent quality of modernity, the military annotator can be seen as a ‘guerrilla memoirist’, re-appropriating the intimate conversation among combatants in tacit challenge to the commodification and marketization of their shared experience. The article draws on historical examples of military marginalia and on Lewis Hyde’s account of the gift relationship to contextualize a case study: the annotations (including a pasted-in trench map) made by an American First World War veteran in a copy of Storm of Steel, the 1929 American edition of Ernst Jünger’s best-selling war memoir In Stahlgewittern.
期刊介绍:
Critical Military Studies provides a rigorous, innovative platform for interdisciplinary debate on the operation of military power. It encourages the interrogation and destabilization of often taken-for-granted categories related to the military, militarism and militarization. It especially welcomes original thinking on contradictions and tensions central to the ways in which military institutions and military power work, how such tensions are reproduced within different societies and geopolitical arenas, and within and beyond academic discourse. Contributions on experiences of militarization among groups and individuals, and in hitherto underexplored, perhaps even seemingly ‘non-military’ settings are also encouraged. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to double-blind peer review by independent, anonymous expert referees. The Journal also includes a non-peer reviewed section, Encounters, showcasing multidisciplinary forms of critique such as film and photography, and engaging with policy debates and activism.