Body inking: butoh: (a poetic narrative): ... artist pages

Bronwyn Preece
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Abstract

The writing becomes a limbed extension – a dance – inked on shore and paper by a body moving in these artist pages. The author poetically captures the process of engaging in the 22nd annual Kokoro Dance Theatre Society’s Wreck Beach Butoh Intensive: a nine-day in-studio period, followed by three outdoor performances: on the shores and in the waters of Vancouver, Canada’s Pacific Ocean. Preece captures the days in a poem, synthesizing felt experience with elements of the daily choreography and context, offering palpable, personal and sensual tellings of one woman moving through process, practice and performance. Although specific, the poems remain accessible – interpretable and relatable to the reader – as fresh offerings, as movements themselves.
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身体墨迹:butoh:(一种诗意的叙述):。。。艺术家页面
文字变成了一种肢体的延伸——一种舞蹈——在岸上和纸上被一个在这些艺术家的书页中移动的身体所连接。作者诗意地捕捉了参与第22届年度科科罗舞蹈剧院协会沉船海滩Butoh密集的过程:为期9天的工作室期间,随后是三场户外表演:在加拿大太平洋温哥华的海岸和水域。普里斯用一首诗捕捉了这些日子,将感觉体验与日常舞蹈和背景元素结合起来,提供了一个女人在过程、练习和表演中移动的明显、个人和感性的讲述。虽然具体,这些诗仍然是可理解的-解释和相关的读者-作为新鲜的奉献,作为运动本身。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.
期刊最新文献
A Philosophy of Practising With Deleuze’s Difference and Repetition, Antonia Pont (2021) b12: research or die: The festival for contemporary dance and performance art in Berlin, summer event, July 2022 Eco Soma: Pain and Joy in Speculative Performance Encounters, Petra Kuppers (2022) Move like a practising bubble Queering and disrupting as acts of intervention: Proposals for engendering an attitude of practising in the performance workshop space
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