Returning the Gods to the People: Heritage Restitution in Nepal

Q2 Arts and Humanities Santander Art and Culture Law Review Pub Date : 2022-12-30 DOI:10.4467/2450050xsnr.22.014.17027
Elke Selter
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Abstract

Since late 2021, a new development has been taking place in Nepal. Like many governments around the world, the Nepalese authorities are also fully invested in asking for the return of their looted art held in foreign collections. Yet the policy is no longer to keep these in the country’s main museums, but rather to bring them back to the communities of origin, where they can fully take up their role as “living Gods”. With this move – which fully prioritizes intangible heritage values over tangible – a unique process is taking place that allows for reflection on what the restitution of stolen objects could be all about. In this way the case of Nepal demonstrates that the trafficking of art and its placement in museums abroad, as well as its “typical” return to museums in the source countries, are strongly influenced by Western concepts of art and conservation, often ignoring the local values of this heritage.
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把神还给人民:尼泊尔的遗产归还
自2021年底以来,尼泊尔发生了新的发展。与世界上许多政府一样,尼泊尔当局也在全力要求归还外国收藏的被掠夺艺术品。然而,政策不再是把这些文物保存在国家的主要博物馆里,而是把它们带回原籍社区,在那里它们可以充分发挥“活神”的作用。这一举措——将非物质遗产的价值完全置于有形遗产之上——正在进行一个独特的过程,让人们思考归还被盗文物的全部内容。这样,尼泊尔的情况表明,艺术品的贩运及其在国外博物馆的安置,以及艺术品"典型地"返回来源国的博物馆,都受到西方艺术和保护观念的强烈影响,往往忽视了这种遗产的当地价值。
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Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
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