‘Women in industry are not meant to be weightlifters’: Gender and the Australian industrial workplace safety film

IF 0.5 0 FILM, RADIO, TELEVISION Studies in Documentary Film Pub Date : 2022-05-11 DOI:10.1080/17503280.2022.2066330
G. C. Russell
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Abstract

ABSTRACT ‘Utilitarian’ films - those not for the purposes of art or entertainment - include instructional films addressing workplace safety. Large quantities of these were made in Australia between WW2 and the advent of video and were viewed by many workers in different industries. Their content, social significance and relationship to a wider dispositif of media and labour is therefore a fertile source of information about how work was performed and how it was discursively conceptualised. We can glean information from these films about the presumed class, proclivities, and attitudes that Australian workers were assumed to have. Their address is also gendered, almost exclusively targeting men. In analysing one unusual workplace safety film targeted at women workers, Don’t Be Scalped (R.D. Hansen, 1960 Fortune films and the NSW Department of Labour and Industry), aspects of working-class male subjectivity commonly spoken to in workplace safety films are thrown into relief. This article examines how gendered address in industrial safety films constructs and perpetuates gendered inequalities in broader discourses about health, danger and industrial labour. Don’t Be Scalped illustrates how gender difference is one way this form of utilitarian text polices and normalises attitudes to safety through targeted and specific forms of subjectification.
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“工业中的女性不应该成为举重运动员”:性别与澳大利亚工业工作场所安全电影
摘要“功利主义”电影——那些不是为了艺术或娱乐目的的电影——包括关于工作场所安全的教学电影。从第二次世界大战到视频出现,澳大利亚制造了大量此类产品,不同行业的许多工人都观看了这些产品。因此,它们的内容、社会意义以及与更广泛的媒体和劳动力配置的关系,是关于工作是如何进行的以及它是如何被概念化的丰富信息来源。我们可以从这些电影中收集到关于澳大利亚工人被认为具有的阶级、倾向和态度的信息。他们的地址也带有性别歧视,几乎完全针对男性。在分析一部针对女性工人的不同寻常的工作场所安全电影《不要被烫伤》(R.D.Hansen,1960年《财富》电影和新南威尔士州劳工和工业部)时,工作场所安全片中常见的工人阶级男性主体性的方面得到了缓解。本文探讨了工业安全电影中的性别寻址如何在关于健康、危险和工业劳动的更广泛论述中构建和延续性别不平等。《不要被烫伤》说明了性别差异是这种功利性文本政策的一种方式,并通过有针对性和特定形式的主体化使人们对安全的态度正常化。
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来源期刊
Studies in Documentary Film
Studies in Documentary Film FILM, RADIO, TELEVISION-
CiteScore
1.00
自引率
16.70%
发文量
26
期刊介绍: Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.
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