Les Rites de Passage: Ritual, Initiation, and the State in Works by Sigalit Landau and Anisa Ashkar

IF 0.3 0 ART Visual Resources Pub Date : 2018-08-23 DOI:10.1080/01973762.2018.1493561
Nava Sevilla-Sadeh
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引用次数: 0

Abstract

Initiation or rites of passage in the ancient world constituted a highly meaningful experience and were intended to delineate the transition from childhood to adult status, with the sacred initiation meant to promise a merging with the divine. The argument at the heart of this research is that features of initiation and of the ancient Dionysian rituals can be found in works by Sigalit Landau (b. 1969) and Anisa Ashkar (b. 1979), as metaphors of contemporary initiation in relation to the establishment of the Israeli nation and the fate of the Arab inhabitants following the Nakba (“disaster” in Arabic), the exodus of the Palestinian and Arab dwellers after the establishment of the Israeli State in 1948. This article employs ancient texts and visual references as well as contemporary thought.
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《通过的仪式:仪式、启动和状态》西格丽特·兰道和安妮莎·阿什卡作品
在古代世界,启蒙或成人仪式构成了一种非常有意义的经历,旨在描绘从童年到成人状态的过渡,神圣的启蒙意味着承诺与神圣的融合。本研究的核心论点是,在Sigalit Landau(出生于1969年)和Anisa Ashkar(出生于1979年)的作品中,可以找到入会仪式和古代酒神仪式的特征,作为当代入会仪式的隐喻,与以色列民族的建立和阿拉伯居民在Nakba(阿拉伯语中的“灾难”)之后的命运有关,Nakba是1948年以色列建国后巴勒斯坦和阿拉伯居民的外流。这篇文章运用了古代文本和视觉参考以及当代思想。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
12
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