Buffalo Bill and Patriotism: Criticism of the Wild West Show in the Polish-Language Press in Austrian Galicia in 1906

IF 0.2 Q2 HISTORY East Central Europe Pub Date : 2020-11-09 DOI:10.30965/18763308-04702007
Kamila Baraniecka-Olszewska
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引用次数: 2

Abstract

The article juxtaposes two perspectives guiding the perception of ethnographic shows, namely, a contemporary and an earlier one. The article uses the example of Buffalo Bill’s Wild West shows, staged in 1906 in the Polish territories under Austrian rule. Deriving from present criticisms of ethnographic shows and their interpretation through the prism of colonial studies, the author examines the types of reception of such performances met in places in which the inhabitants did not identify with colonialism. Analyzing reactions to the Wild West shows published in the Polish-language dailies, the author offers an interpretation of these performances as foreign, distant from the local social context, and evoking antipatriotic acts. While presently, criticism of ethnographic shows inspires reflection on human rights and equality, the article looks at how the philippics directed against Buffalo Bill’s performances contributed to the promotion of patriotic attitudes by the intellectual elites of the time.
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野牛比尔与爱国主义:1906年奥地利加利西亚波兰语出版社对狂野西部表演的批评
本文将指导对民族志节目的认识的两种观点并列,即当代和早期的观点。这篇文章以野牛比尔(Buffalo Bill) 1906年在奥地利统治下的波兰领土上举办的“狂野西部”(Wild West)演出为例。从目前对民族志表演的批评以及通过殖民研究的棱镜对它们的解释出发,作者考察了在居民不认同殖民主义的地方对这种表演的接受类型。作者分析了波兰语日报上刊登的对狂野西部表演的反应,提出了这些表演是外国的、远离当地社会背景的、引发反爱国行为的解释。当前,对民族志表演的批评激发了对人权和平等的反思,本文着眼于针对布法罗·比尔表演的批评如何促进了当时知识精英的爱国主义态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.40
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发文量
23
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