Visual arts pedagogy in early childhood contexts: The baggage of self-efficacy beliefs, pedagogical knowledge and limited pre-service training

IF 1.6 4区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH Australasian Journal of Early Childhood Pub Date : 2020-12-14 DOI:10.1177/1836939120979061
G. Lindsay
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引用次数: 6

Abstract

Visual arts provisions are central to children’s holistic, play-based learning, yet the visual arts self-efficacy beliefs and subject content knowledge of early childhood educators influence pedagogical choices. When early childhood educators lack the visual arts confidence, skills, and knowledge required to effectively support children’s visual arts learning and engagement, children’s learning in the visual arts domain may be restricted; resulting in a negative cycle of influence whereby the next generation are denied their right to access visual languages. Qualitative case study research explored the visual arts beliefs and pedagogy of 12 degree qualified and vocationally trained early childhood educators. The conceptual framework, designed to to interpret and analyse the research data, aligns Dewey’s philosophies of democracy, education and art with the philosophy and visual arts praxis of the Reggio Emilia approach to early childhood education. The research findings suggest educator’s low visual arts self-efficacy beliefs develop during childhood and are not improved by pre-service training, resulting in limited visual arts skills and knowledge. The research participants’ visual arts pedagogy appeared to be strongly influenced by the experiential ‘baggage’ they carried into their pre-service training and practice contexts, by the participants’ theoretical beliefs about children’s development and by a range of divergent beliefs about the purposes of visual art in the early childhood context. Although training has the potential to broadly inform knowledge and practice, this study suggests that unless limiting visual arts self-efficacy beliefs are disrupted by constructivist theoretical knowledge and combined with practical skills and knowledge, the visual arts curriculum offered to children may be significantly compromised.
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幼儿时期的视觉艺术教育学:自我效能信念、教育学知识和有限的职前培训的包袱
视觉艺术的规定是儿童整体的,以游戏为基础的学习的核心,然而视觉艺术自我效能感的信念和早期儿童教育者的学科内容知识影响教学选择。当幼儿教育者缺乏有效支持儿童视觉艺术学习和参与所需的视觉艺术信心、技能和知识时,儿童在视觉艺术领域的学习可能会受到限制;这导致了一个负面的影响循环,下一代被剥夺了使用视觉语言的权利。定性案例研究探讨了12位具有学位资格和职业培训的幼儿教育者的视觉艺术信念和教学法。该概念框架旨在解释和分析研究数据,将杜威的民主、教育和艺术哲学与雷焦·艾米利亚早期儿童教育方法的哲学和视觉艺术实践相结合。研究结果表明,教育工作者的低视觉艺术自我效能感信念是在儿童时期形成的,并没有通过岗前培训得到改善,导致视觉艺术技能和知识有限。研究参与者的视觉艺术教学法似乎受到以下因素的强烈影响:他们在职前培训和实践环境中所携带的经验“包袱”,参与者对儿童发展的理论信念,以及在儿童早期环境中对视觉艺术目的的一系列不同信念。尽管培训具有广泛传播知识和实践的潜力,但本研究表明,除非建构主义理论知识打破对视觉艺术自我效能感的限制,并与实践技能和知识相结合,否则提供给儿童的视觉艺术课程可能会受到重大损害。
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来源期刊
Australasian Journal of Early Childhood
Australasian Journal of Early Childhood EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
3.10
自引率
16.70%
发文量
24
期刊介绍: The Australasian Journal of Early Childhood (AJEC) is Australasia’s foremost scholarly journal and the world’s longest-running major journal within the early childhood education and care sector. Published quarterly, AJEC offers evidence-based articles that are designed to impart new information and encourage the critical exchange of ideas among early childhood practitioners, academics and students. AJEC is peer reviewed by leading early childhood education and care academics, against quality-assurance guidelines to ensure that all articles promote best practice and disseminate high-quality information in the early childhood education and care sector.
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