“Delicate, petite & other things I’ll never be”: trans-punk anthems and love songs

IF 0.7 4区 文学 Q3 CULTURAL STUDIES European Journal of English Studies Pub Date : 2020-01-02 DOI:10.1080/13825577.2020.1730048
G. Schott
{"title":"“Delicate, petite & other things I’ll never be”: trans-punk anthems and love songs","authors":"G. Schott","doi":"10.1080/13825577.2020.1730048","DOIUrl":null,"url":null,"abstract":"ABSTRACT Punk’s dogged durability continues to be driven by a communal ethos that once embodied inclusivity, resistance, challenge, and transformation. The precipitous absorption and integration of punk into the mainstream ran the risk of undermining the authenticity of its rebellion, DIY principles, and sub-cultural inimitability. Yet, in emerging from the underground punk has continued to provide a counter-normative framework and aesthetic. The ethos that underpinned first-wave punk is evident today in punk’s ongoing engagement with queer politics and persistent illustrations of gender fluidity. This article examines an articulation of “transgender as punk” focusing on the example of Laura Jane Grace, lead singer of U.S. anarcho-punk band Against Me!, who came out as transgender five albums into her public life as an established punk musician. Punk has time and again served as a site for making visible and verbalising discordant experiences, which Grace has accessed to document her complex and troubled personal intercessions, transgender realities, and their uncertain future.","PeriodicalId":43819,"journal":{"name":"European Journal of English Studies","volume":"24 1","pages":"37 - 51"},"PeriodicalIF":0.7000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13825577.2020.1730048","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of English Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/13825577.2020.1730048","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0

Abstract

ABSTRACT Punk’s dogged durability continues to be driven by a communal ethos that once embodied inclusivity, resistance, challenge, and transformation. The precipitous absorption and integration of punk into the mainstream ran the risk of undermining the authenticity of its rebellion, DIY principles, and sub-cultural inimitability. Yet, in emerging from the underground punk has continued to provide a counter-normative framework and aesthetic. The ethos that underpinned first-wave punk is evident today in punk’s ongoing engagement with queer politics and persistent illustrations of gender fluidity. This article examines an articulation of “transgender as punk” focusing on the example of Laura Jane Grace, lead singer of U.S. anarcho-punk band Against Me!, who came out as transgender five albums into her public life as an established punk musician. Punk has time and again served as a site for making visible and verbalising discordant experiences, which Grace has accessed to document her complex and troubled personal intercessions, transgender realities, and their uncertain future.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
“精致、娇小和其他我永远不会成为的东西”:跨朋克歌曲和情歌
朋克顽强的持久性继续受到曾经体现包容性、抵抗力、挑战性和变革性的社区精神的驱动。朋克突然被吸收并融入主流,有可能破坏其反叛、DIY原则和亚文化不适应性的真实性。然而,在地下朋克的崛起中,它继续提供了一种反规范的框架和美学。支撑第一波朋克的风气在今天朋克对酷儿政治的持续参与和对性别流动性的持续阐释中表现得很明显。本文以美国无政府朋克乐队Against Me!的主唱Laura Jane Grace为例,探讨了“跨性别朋克”的表述!,作为一名知名朋克音乐家,她以变性人的身份在公众生活中推出了五张专辑。朋克一次又一次地成为一个网站,让人们看到并说出不和谐的经历,格蕾丝利用这些经历来记录她复杂而麻烦的个人调解、跨性别现实以及他们不确定的未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
1.00
自引率
20.00%
发文量
17
期刊最新文献
Reading transformations: from David Garnett’s Lady into Fox (1922) to Sarah Hall’s “Mrs Fox” (2013) The mind is all the animals it has attended: limitrophy and porous borders in the poetry of Robert Bringhurst Root identity–relation identity in Inga Simpson’s Understory: a life with trees Deconstructing human-canine relations in Richard Adams’s The Plague Dogs Hospitality and liminality in the time of the Anthropocene: Jenn Ashworth’s Fell
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1