BART, the Black American Role Taxonomy: A culturally expansive approach to role theory and method

IF 0.5 0 THEATER Drama Therapy Review Pub Date : 2023-04-01 DOI:10.1386/dtr_00121_1
A. Stevens
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引用次数: 0

Abstract

This article will investigate how performance can identify racialized archetypes, stereotypes and roles located in therapeutic spaces. It will present ways we can utilize these stereotypes to create and expand upon Landy’s role method and role theory to empower Black Americans to claim their identity. This research has been conducted as an autoethnographic study in order to create an open dialogue about racialized roles that surfaced in a therapeutic theatre production and in clinical practice. Issues regarding race are difficult to discuss and present fierce levels of discomfort in clinical spaces. This article highlights the necessity to continue meaningful conversations about race in the field of drama therapy. Further, this work looks to contribute to the development of cross-cultural practices in drama therapy.
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BART,美国黑人角色分类法:一种对角色理论和方法的文化扩展方法
本文将探讨绩效如何识别种族化的原型、刻板印象和治疗空间中的角色。它将介绍我们如何利用这些刻板印象来创造和扩展兰迪的角色方法和角色理论,使美国黑人能够宣称自己的身份。这项研究是作为一项民族志研究进行的,目的是就治疗性戏剧制作和临床实践中出现的种族化角色展开公开对话。关于种族的问题很难讨论,并且在临床上表现出强烈的不适感。这篇文章强调了在戏剧治疗领域继续进行有意义的种族对话的必要性。此外,这项工作有望为戏剧治疗中跨文化实践的发展做出贡献。
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来源期刊
CiteScore
1.40
自引率
27.30%
发文量
27
期刊最新文献
At the intersection: Role Theory and the schizophrenia spectrum Intercultural Dramatherapy: Imagination and Action at the Intersections of Difference, Ditty Dokter and Nisha Sajnani (2023) Chasing the sun: Discovering Chinese therapists’, students’ and educators’ proficiency in the use of dramatic reality Mapping the empty space: Spatial experience and relationship in drama therapy practice Meeting the Moment: Socially Engaged Performance, 1965–2020, by Those Who Lived It, Jan Cohen-Cruz and Rad Pereira (2022)
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