Sofya Dmitrieva, Dominique de Font-Réaulx, M. Henning, Patrizia Di Bello
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Abstract
This special issue is a result of the conference Photographic Art Reproductions, from 1839 to the Present, held online on 23 July 2021 by the University of St Andrews (UK) and the Centre Andr e Chastel (France). A roundtable discussion between Dominique de Font-R eaulx, Patrizia Di Bello, Michelle Henning, Kim Timby and Sofya Dmitrieva closed the conference. By way of an introduction, we publish here a version of this conversation, based on questions subsequently submitted by Sofya Dmitrieva to the speakers.
本特刊是圣安德鲁斯大学（英国）和安德雷·沙特尔中心（法国）于2021年7月23日在线举行的1839年至今的摄影艺术再现会议的成果。Dominique de Font-R eaulx、Patrizia Di Bello、Michelle Henning、Kim Timby和Sofya Dmitrieva之间的圆桌讨论结束了会议。作为介绍，我们在这里发布了这段对话的一个版本，基于Sofya Dmitrieva随后向演讲者提交的问题。
期刊介绍：
History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.
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