The Omnipresence of Television and the Ascendancy of Surveillance/Sousveillance in Ray Bradbury’s Fahrenheit 451

H. Abootalebi
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引用次数: 2

Abstract

This paper is an attempt to analyze Ray Bradbury's Fahrenheit 451(1953) under the light of Jean Baudrillard's notions on the media and the influences it exerts on people's daily lives, and with an eye to Michel Foucault's surveillance as well. The title-mentioned work, it is suggested, portrays a representative sample of a culture where different fields including books, education, and history fall under the influence of the media. Bradbury presents a society in which its inhabitants are bombarded with excessive data transmitted through television most of which is detrimental and not reliable. It is concluded that the presented culture in the novel is a microcosm of contemporary societies where authorities keep their subjects under control, engendering an atmosphere of anxiety, trepidation and apprehension for subversive forces and therefore preclude any disturbance on the part of them
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雷·布拉德伯里《华氏451度》中电视的无所不在与监视/监视的兴起
本文试图从鲍德里亚的媒介观念及其对人们日常生活的影响,以及米歇尔·福柯的监视,来分析雷·布拉德伯里的《华氏451度》(1953)。有人认为,标题提到的作品描绘了一种文化的代表性样本,在这种文化中,包括书籍、教育和历史在内的不同领域都受到媒体的影响。布拉德伯里呈现了一个社会,在这个社会中,居民被通过电视传输的过多数据轰炸,其中大部分是有害的,也不可靠。结论是,小说中呈现的文化是当代社会的一个缩影,在当代社会中,当局控制着他们的主体,产生了一种对颠覆势力的焦虑、恐惧和恐惧的气氛,从而阻止了他们的任何干扰
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