Bulgarian Culture after 1989

IF 0.4 Q3 AREA STUDIES SOUTHEASTERN EUROPE Pub Date : 2020-07-20 DOI:10.30965/18763332-04402008
K. Vassilev
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Abstract

This article deals with the changes in Bulgarian culture after the fall of the Communist regime in Bulgaria in 1989. The first sections sketch the state of the Bulgarian culture and society during the later years of the communism. They describe the change in official ideology, i.e. the return to nationalism. The controversial role of the Communist regime in the modernization process of society is analyzed, with its simultaneous modernization and counter-modernization heritage. Then we shift to the changes in society and culture that have taken place since the fall of the regime. Attention is focused on the new mass culture, the embodiment of the value crisis in which the post-Communist Bulgarian society is located. The radical transformations in the field of the so-called ‘high’ culture are examined, especially the financial difficulties and the overall change in the social status of arts and culture. The basic trauma of the Bulgarian culture embodied in the constantly returning feeling of being a cultural by-product of the West is brought out. The article concludes that Bulgarian post-Communist culture has failed to create a more complex and flexible image of the “Bulgarian” that can use the energies of globalization without feeling threatened by disintegration.
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1989年后的保加利亚文化
本文论述1989年保加利亚共产党政权垮台后保加利亚文化的变化。第一部分概述了保加利亚在共产主义后期的文化和社会状况。他们描述了官方意识形态的变化,即民族主义的回归。分析了共产主义政权在社会现代化进程中具有争议性的作用,并分析了其同步的现代化和反现代化遗产。然后我们转向自该政权垮台以来社会和文化发生的变化。人们的注意力集中在新的大众文化上,这是后共产主义保加利亚社会所处的价值危机的体现。在所谓的“高级”文化领域的激进转变被检查,特别是财政困难和艺术和文化的社会地位的整体变化。保加利亚文化的基本创伤体现在作为西方文化副产品的不断回归的感觉中。文章的结论是,保加利亚后共产主义文化未能创造出一个更复杂、更灵活的“保加利亚人”形象,这个形象可以利用全球化的能量,而不会感到解体的威胁。
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来源期刊
SOUTHEASTERN EUROPE
SOUTHEASTERN EUROPE AREA STUDIES-
CiteScore
0.90
自引率
0.00%
发文量
9
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