La fotografía en el diseño editorial como medio de comunicación gráfica

F. Chacón
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Abstract

In editing images in editorial design, we refer to the location, printing and related aspects with a good editing and design of elements such as photographs, drawings, computer graphics, graphics and illustrations in the format to develop a graphic project. It is necessary to use these graphics in an editorial design and there should not be a gamble at your location and less design graphic image. The photograph must be designed before the photo shoot, in other words, the photographer should think and edit before placing your eye on the camera lens. It must be analyzed from its location to its function. A reference to this point is made because it is very usual to observe powers between text and images in graphic design; in other words, no editing. It is appropriate that photography communicates directly or complement way the note, so that the reader expands the information of what is being communicated. Use of this graphic resource is necessary to study and consider what is needed to communicate, and to determine how you are going to communicate the message? It is not “put” a photograph to fill a space in the format design, and level of composition. It is important to locate the element in a manner that complies with the appropriate space to have a good readability and relate directly to the other graphic design elements. For a designer to have a good photograph, it is necessary and important  to make necessary adjustments to appropriate it or graphic elements needed for editing and appropriate for reproduction technical conditions. Photography is an art, this is already proven, but designing a photograph with their texts in a format, it is even more, is going beyond the composition of a graphic element and form a compositional unity through their texts so they are a single element, where they do not compete with each other and achieve direct communication with the reader. It is convenient and necessary to adjust the pictures to the grid; it should be remembered that these elements interact with one another to be effective in graphic communication; this is where the grid achieves its goal of ordering the various elements and locate the place to each element in the composition and photography that it is not “set” or competing with other graphic elements.
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作为图形传播媒介的出版设计中的摄影
在编辑图像的编辑设计中,我们指的是在位置、印刷和相关方面,用良好的编辑设计元素,如照片、图纸、计算机图形学、图形和插图等格式来开发一个图形项目。在编辑设计中使用这些图形是必要的,不应该在你的位置和更少的设计图形图像上进行赌博。照片必须在拍摄之前进行设计,换句话说,摄影师在将眼睛放在相机镜头上之前应该进行思考和编辑。必须从它的位置到它的功能进行分析。之所以提到这一点,是因为在平面设计中,观察文本和图像之间的力量是非常常见的;换句话说,没有编辑。摄影直接传达或补充笔记是合适的,这样读者就可以扩展正在传达的信息。使用此图形资源是必要的,以研究和考虑沟通所需的内容,并确定您将如何传达信息?它不是“放”一张照片在版式设计和构图层次上填补空白。重要的是,以符合适当空间的方式定位元素,以具有良好的可读性并与其他图形设计元素直接相关。设计师要想拥有一张好照片,就必须对其进行必要的调整,以适应编辑所需的图形元素和复制技术条件。摄影是一门艺术,这一点已经得到了证明,但设计一张带有文本的照片,更重要的是,它超越了图形元素的组成,并通过文本形成了组成的统一,因此它们是一个单一的元素,在那里它们不会相互竞争,而是与读者直接沟通。将图片调整到网格中既方便又必要;应当记住,这些元素相互作用以在图形通信中有效;这就是网格实现其目标的地方,即对各种元素进行排序,并在构图和摄影中定位每个元素的位置,而不是“设置”或与其他图形元素竞争。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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0.00%
发文量
37
审稿时长
20 weeks
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