Queering singlehood in mainland China

Benny Lim, Sum-Sheung Samson Tang
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引用次数: 1

Abstract

This study was triggered by a 2015 documentary film directed by Sophia Luvara, Inside  the Chinese Closet , which depicts the plight of two homosexual individuals in present-day Mainland China. Upon further reading into the film text, the discourse of the protagonists’ sexual orientation is downplayed; rather, the issues of their singlehood seem to be more of a concern, and pervasive. The paper first discusses singlehood in relation to traditional Chinese culture. There is no doubt that Confucian philosophy and ‘face’ are correlated with the fact that the family-kinship in China has a pervasive influence on the public perception of singlehood. Yet, as the self-combed women have demonstrated, singlehood is not consistently problematized by the Chinese culture. Thereafter, the discussions move into the discourse of contemporary China, suggesting that state-backed media have been encouraging marriage and stigmatizing those who do not adhere. Unmarried women are not the only victims, though they seem to experience the stigmatization more often than men. Chinese bachelors, too, fall prey to stigmatization. In recent years, there also seems to be a continual normalization of homosexuality due to gay consumerism and the increase of the legalization of same-sex marriage. At the end of the day, be it for heterosexuals or homosexuals, marriage seems to be an important end point to singlehood. At last, the paper questions the need to look at singlehood as the binary opposition to marriage.
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中国大陆的单身问题
这项研究是由索菲亚·卢瓦拉(Sophia Luvara)在2015年执导的一部纪录片《中国人的衣橱》引发的,这部纪录片描述了当今中国大陆两个同性恋者的困境。在进一步阅读电影文本时,主角的性取向话语被淡化了;相反,他们的单身问题似乎更令人担忧,而且无处不在。本文首先讨论了单身与中国传统文化的关系。毫无疑问,儒家哲学和“面子”与中国的家庭亲属关系对公众对单身的看法有着普遍的影响。然而,正如这些自我梳理的女性所表明的那样,单身在中国文化中并不总是存在问题。此后,讨论进入当代中国的话语,表明国家支持的媒体一直在鼓励婚姻,并对那些不坚持的人进行污名化。未婚女性并不是唯一的受害者,尽管她们似乎比男性更容易遭受这种耻辱。中国的单身汉也容易被污名化。近年来,由于同性恋消费主义和同性婚姻合法化的增加,同性恋似乎也在不断正常化。在一天结束的时候,无论是异性恋还是同性恋,婚姻似乎是单身生活的一个重要终点。最后,论文质疑将单身视为婚姻的二元对立的必要性。
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