{"title":"Tresses and Distresses: Literary and Social Aspects of Women’s Hair in Second Temple Jewish Literature","authors":"Atar Livneh","doi":"10.30965/21967954-bja10038","DOIUrl":null,"url":null,"abstract":"\nThis article explores the literary context of three types of hair modification in Second Temple Jewish literature: disarranging, unveiling, and cutting, when they occur and the social categories they embody. All of these behaviors mark women as mourners, with the tearing/cutting and disheveling of hair further identifying them as suppliants. While some depictions are based on biblical models, the supplication scenes clearly reflect Greek and Roman motifs ‒ women wearing their hair wild and addressing the troops and defendants wearing mourning dress and engaging in keening gestures. Outside these contexts, female figures rarely cut/dishevel their hair of their own accord, the majority of those who do so being slaves/captives/prisoners subject to the whims of authority figures ‒ masters/mistresses or priests.","PeriodicalId":41821,"journal":{"name":"Journal of Ancient Judaism","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Ancient Judaism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30965/21967954-bja10038","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
This article explores the literary context of three types of hair modification in Second Temple Jewish literature: disarranging, unveiling, and cutting, when they occur and the social categories they embody. All of these behaviors mark women as mourners, with the tearing/cutting and disheveling of hair further identifying them as suppliants. While some depictions are based on biblical models, the supplication scenes clearly reflect Greek and Roman motifs ‒ women wearing their hair wild and addressing the troops and defendants wearing mourning dress and engaging in keening gestures. Outside these contexts, female figures rarely cut/dishevel their hair of their own accord, the majority of those who do so being slaves/captives/prisoners subject to the whims of authority figures ‒ masters/mistresses or priests.