{"title":"(Re-)Packaging Knowledge and The Business of Format: Benjamin Martin's The General Magazine of Arts and Sciences (1755–64)","authors":"Helga Schwalm","doi":"10.1111/1754-0208.12888","DOIUrl":null,"url":null,"abstract":"<p>Benjamin Martin was an itinerant lecturer, instrument maker, and the author of a substantial number of textbooks mainly in the sciences. His biggest project, however, was <i>The General Magazine of Arts and Sciences</i> (1755–64), dedicated to the dissemination of knowledge to a broad audience. Rather than study Martin's works with regard to the history of science, this article examines his publications in terms of their highly self-conscious engagement with form and format. While his textbooks are concerned with economic compression, his periodical <i>General Magazine</i> experiments with a special, unwieldy mode of seriality that brings to the fore the role of format as well as the precarious status of seriality for the purposes of knowledge dissemination.</p>","PeriodicalId":55946,"journal":{"name":"Journal for Eighteenth-Century Studies","volume":"46 3","pages":"313-331"},"PeriodicalIF":0.2000,"publicationDate":"2023-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1754-0208.12888","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal for Eighteenth-Century Studies","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/1754-0208.12888","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Benjamin Martin was an itinerant lecturer, instrument maker, and the author of a substantial number of textbooks mainly in the sciences. His biggest project, however, was The General Magazine of Arts and Sciences (1755–64), dedicated to the dissemination of knowledge to a broad audience. Rather than study Martin's works with regard to the history of science, this article examines his publications in terms of their highly self-conscious engagement with form and format. While his textbooks are concerned with economic compression, his periodical General Magazine experiments with a special, unwieldy mode of seriality that brings to the fore the role of format as well as the precarious status of seriality for the purposes of knowledge dissemination.
本杰明·马丁是一个巡回讲师,仪器制造商,并撰写了大量的教科书,主要是在科学。然而,他最大的项目是《艺术与科学综合杂志》(The General Magazine of Arts and Sciences, 1755 - 1764),致力于向广大读者传播知识。本文不是从科学史的角度来研究马丁的作品,而是从他对形式和格式的高度自觉参与的角度来研究他的出版物。虽然他的教科书关注的是经济压缩,但他的期刊《通用杂志》(General Magazine)尝试了一种特殊的、笨拙的连载模式,突显了格式的作用,以及为了知识传播而连载的不稳定地位。