Exotica Africana: interrogating African otherness in Bizarre Foods with Andrew Zimmern

IF 1.5 Q2 COMMUNICATION Popular Communication Pub Date : 2020-04-02 DOI:10.1080/15405702.2019.1637524
Téwodros W. Workneh
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引用次数: 6

Abstract

ABSTRACT The marked reluctance to incorporate African agency in African image-making in the West quite predictably brought about flat and simplistic caricatures of the continent and its peoples. With the aim of interrogating continuity and change in the representation of Africa, this paper explores African exoticism in Travel Channel’s Bizarre Foods with Andrew Zimmern. Framed within a critical cultural/postcolonial perspective that anchors discourses of exoticism in Bizarre Foods with Andrew Zimmern, the study identifies the spectacular representational modes of the “crude” native, poverty, and primitivism as evidences of African otherness. Key findings of the study indicate that food in many African destinations is portrayed as mere materiality, and that African foodways are unsophisticated and lack any perceptible aesthetics or influence. Furthermore, the show stubbornly insists on Africa’s “primitiveness” as a binary condition to be contrasted with Western modernity, which, like the spectacle of poverty, marks the salience of African alterity.
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Exotica Africana:与Andrew Zimmern在《奇异食品》中质疑非洲的另类
摘要不出所料,西方明显不愿将非洲机构纳入非洲形象塑造,这导致了对非洲大陆及其人民的平淡和简单化的讽刺。为了探究非洲形象的连续性和变化性,本文与Andrew Zimmern一起探讨了旅游频道《奇异食品》中的非洲异国情调。该研究以批判的文化/后殖民视角为框架,以安德鲁·齐默恩(Andrew Zimmern)的《奇异食品》(Bizarre Foods)中的异国情调话语为基础,将“粗鲁”的原住民、贫困和原始主义的壮观表征模式确定为非洲另类的证据。这项研究的主要发现表明,许多非洲目的地的食物被描绘成纯粹的物质性,而非洲的饮食方式并不简单,缺乏任何可感知的美学或影响力。此外,该剧顽固地坚持将非洲的“原始性”作为与西方现代性形成对比的二元条件,西方现代性与贫困的景象一样,标志着非洲矛盾的突出。
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来源期刊
Popular Communication
Popular Communication COMMUNICATION-
CiteScore
3.90
自引率
0.00%
发文量
15
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