The Second World War: Remaking the British Working Class?

Q2 Arts and Humanities Historical Studies in Industrial Relations Pub Date : 2021-09-01 DOI:10.3828/hsir.2021.42.5
R. Croucher
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Abstract

In the post-war years, to the 1970s, most historians’ verdict on the Second World War was abundantly clear: it represented a watershed in social and political relations, shifting Britain in a social-democratic and more egalitarian direction. In more recent years, this verdict has increasingly been called into question. Some historians began to judge the war’s results, especially in terms of the flattening of social and gender hierarchies, to have been considerably exaggerated. Geoffrey G. Field has produced a sizeable, detailed and well-produced work which reaffirms the judgements of the ‘war as dramatic watershed’ school. He synthesizes much of the work on British society and the working class in the Second World War, interspersed with analysis of the vast holdings of The National Archives, the Mass Observation Archive, as well as film and literary sources. This review focuses on industrial relations, particularly the arms industries: where unionization, collective bargaining and workplace union organization were transformed. Joint production committees, however, proved ephemeral.
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第二次世界大战:重塑英国工人阶级?
从战后到20世纪70年代,大多数历史学家对第二次世界大战的判断都非常明确:它代表了社会和政治关系的分水岭,使英国朝着社会民主和更平等的方向转变。近年来,这一判决越来越受到质疑。一些历史学家开始判断战争的结果,特别是在社会和性别等级制度扁平化方面,被夸大了。杰弗里·G·菲尔德(Geoffrey G.Field)创作了一部规模宏大、内容详尽、制作精良的作品,重申了“战争是戏剧性分水岭”学派的判断。他综合了许多关于第二次世界大战中英国社会和工人阶级的作品,并穿插了对国家档案馆、大众观察档案馆以及电影和文学资料的大量分析。这篇综述的重点是劳资关系,特别是军火行业:在这些行业,工会、集体谈判和工作场所工会组织发生了转变。然而,事实证明,联合制作委员会只是昙花一现。
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来源期刊
Historical Studies in Industrial Relations
Historical Studies in Industrial Relations Arts and Humanities-History
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