Visual Framing of the Cameroon Anglophone Crisis in Newspapers

Dominic E. Forcha
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Abstract

Abstract The use of still and motion pictures in reporting on a crisis actually frames the news in particular ways for better understanding. The current study of visual framing of the Cameroon Anglophone crisis in 2016 revealed that the press paid considerable attention to the crisis by making use of images. Of the 216 articles identified in the study, 174 images were used to bring out the conflict and thereby create different perspectives of understanding through frames. The study identified two general frame systems in the coverage of the crisis, namely, the pro- and anti-government perspectives. A further 11 salient frames were identified under these two general frame systems. A comparative analysis of private and public press use of visual frames revealed that the private press made more use of photographs to bring out salient issues in the crisis, such as conflict, lives lost, as well as political actors. The public press on its part paid minimal attention to the crisis and made use of photographs depicting peace/unity, government appeasement, and return to normalcy.
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喀麦隆英语国家报纸危机的视觉框架
摘要在报道危机时使用静态和动态图片,实际上是以特定的方式构建新闻以更好地理解。目前对2016年喀麦隆英语危机视觉框架的研究表明,媒体通过使用图像对这场危机给予了相当大的关注。在研究中确定的216篇文章中,174幅图像被用来引出冲突,从而通过框架创造不同的理解视角。该研究确定了危机报道的两个总体框架体系,即支持政府和反对政府的观点。在这两个通用框架系统下又确定了11个突出框架。对私人和公共媒体使用视觉框架的比较分析表明,私人媒体更多地使用照片来揭示危机中的突出问题,如冲突、生命损失以及政治行为者。公共媒体对这场危机的关注度很低,并使用了描绘和平/团结、政府绥靖和恢复正常的照片。
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CiteScore
1.50
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0.00%
发文量
15
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