{"title":"Profundidad: el cuerpo y el color en Merleau-Ponty y Delaunay","authors":"F. A. Matti","doi":"10.46553/TAB.17.2021.P8-25","DOIUrl":null,"url":null,"abstract":"This article aims to establish the relationship between the philosopher Maurice Merleau-Ponty and the artist Robert Delaunay regarding the corporeality and visibility of the work of art. These notions are developed by Maurice Merleau-Ponty in his text The eye and the spirit together with the theory of inobjective art of Robert Delaunay, expressed in From cubism to inobjective art . Moreover, Merleau-Ponty explicitly refers to Delaunay in this text, so it is possible to outline a correspondence between both, especially, regarding their aesthetic theories. The thesis that I will try to defend in this article is that the aesthetic developed by Merleau-Ponty is influenced by the writings of Delaunay. In order to accomplish this, I will try to showcase the similarities between both; such as the importance of colour, the profundity of Being expressed in painting or the corporeal and sensational reception and creation of the work of art.","PeriodicalId":33854,"journal":{"name":"Tabano","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tabano","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46553/TAB.17.2021.P8-25","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article aims to establish the relationship between the philosopher Maurice Merleau-Ponty and the artist Robert Delaunay regarding the corporeality and visibility of the work of art. These notions are developed by Maurice Merleau-Ponty in his text The eye and the spirit together with the theory of inobjective art of Robert Delaunay, expressed in From cubism to inobjective art . Moreover, Merleau-Ponty explicitly refers to Delaunay in this text, so it is possible to outline a correspondence between both, especially, regarding their aesthetic theories. The thesis that I will try to defend in this article is that the aesthetic developed by Merleau-Ponty is influenced by the writings of Delaunay. In order to accomplish this, I will try to showcase the similarities between both; such as the importance of colour, the profundity of Being expressed in painting or the corporeal and sensational reception and creation of the work of art.