Performing in Public: Ethics of a Site-Specific Theatre Practice

IF 0.2 3区 艺术学 0 THEATER CANADIAN THEATRE REVIEW Pub Date : 2022-11-01 DOI:10.3138/ctr.192.009
R. Motum
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引用次数: 0

Abstract

Abstract:Site-specific performance, with its grounding in the local, has the potential to engage communities and make theatre accessible by bringing performance directly to the doorsteps of new audiences. However, when performing outside of a traditional theatre venue—and particularly in a public space—a responsible site-based art must ask: How can we (as artists) ensure that our work isn't disruptive to our neighbours, and, perhaps more important, how might the work also be of benefit to the local community? By returning to four previous site-specific performance works, the author—a practitioner of the form—unpacks how their answer to this question has evolved over time.
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公共表演:特定场所剧院实践的伦理
摘要:场地特定表演以当地为基础,具有吸引社区参与的潜力,并通过将表演直接带到新观众的家门口,使剧院变得触手可及。然而,当在传统剧院场地之外表演时,特别是在公共空间,一个负责任的基于现场的艺术必须问:我们(作为艺术家)如何确保我们的作品不会扰乱我们的邻居,也许更重要的是,我们的作品如何也能给当地社区带来好处?通过回顾之前的四件特定场地的表演作品,作者——这个形式的实践者——揭示了他们对这个问题的答案是如何随着时间的推移而演变的。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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