"An Art of Truth in Things": Confronting Hiphop Illiteracies in Writing Classrooms at Predominantly White Colleges and Universities

Tessa Brown
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引用次数: 1

Abstract

Th is article interrogates how hiphop composition pedagogies can interrupt what the author terms the “hiphop illiteracies” that circulate in predominantly white institutions (PWIs). An analysis of four college writing class-rooms that integrate hiphop texts at one PWI reveals pervasive anti-Black-ness in student attitudes, but also in the research and course design as well as in department-mandated course texts. Th e analysis demonstrates the need for writing pedagogies that name and teach Black language, writing, and meaning-making practices while also asking students, teachers, and admin-istrators to re fl exively examine their own identities’ locations vis-a-vis those practices. Th e author advocates a re fl exive pedagogy that asks students to locate themselves vis-a-vis power as a starting point for investigations of language and culture. Th e author concludes that hiphop pedagogies have signi fi cant critical social justice possibilities in institutionally white educational contexts, but these bene fi ts are not automatic and demand pedagogies of re-fl exivity
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“事物中的真理艺术”:在白人占主导地位的学院和大学的写作课堂上面对嘻哈文盲
这篇文章质疑嘻哈作文教学法如何打断作者所说的在白人占主导地位的机构(PWI)中流传的“嘻哈文盲”。对四个将嘻哈文本整合在一个PWI的大学写作教室的分析表明,学生的态度中普遍存在反黑人情绪,研究和课程设计以及系里规定的课程文本中也存在这种情绪。该分析表明,写作教学法需要命名和教授黑人语言、写作和意义创造实践,同时要求学生、教师和管理人员根据这些实践重新审视自己的身份定位。作者提倡一种重新流动的教育法,要求学生将自己与权力的关系定位为语言和文化研究的起点。作者得出结论,嘻哈教育在制度白人教育背景下具有重要的批判社会正义的可能性,但这些好处不是自动的,需要教育的灵活性
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