{"title":"For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking","authors":"Kaisa Kaakinen","doi":"10.1215/0094033x-9965332","DOIUrl":null,"url":null,"abstract":"This article analyzes how paratactic and multisensory narrative strategies in Peter Weiss’s novel Die Ästhetik des Widerstands (1975–81) contribute to the novel’s project of an aesthetics of resistance for future reference. The narrative mode of the novel emphasizes situated and embodied future acts of reading that generate new historical linkages and orientations across temporal, geographic, and medial gaps. Weiss’s novel mediates twentieth-century history of antifascist resistance with a perspective attuned to multiple possibilities inherent in historical instances. Furthermore, by sensitizing its recipients to differentiated ways of engaging with textual gaps, the novel presents itself as a medium of historical orientation toward futures not articulated in the text itself. The novel’s implied future readers share the novel’s concern with emancipation of the oppressed, but the protocols of reading suggested in the novel also imply that these future readers may interrupt overly rigid historical narratives that may prevent emancipation in specific contexts. The novel remains relevant because of both its historical material and its sophisticated form, which explores aesthetic mediation of experience and relational narrative strategies without losing the sense of historical materiality and without subsuming experience within a concept of a self-enclosed subject.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW GERMAN CRITIQUE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0094033x-9965332","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
This article analyzes how paratactic and multisensory narrative strategies in Peter Weiss’s novel Die Ästhetik des Widerstands (1975–81) contribute to the novel’s project of an aesthetics of resistance for future reference. The narrative mode of the novel emphasizes situated and embodied future acts of reading that generate new historical linkages and orientations across temporal, geographic, and medial gaps. Weiss’s novel mediates twentieth-century history of antifascist resistance with a perspective attuned to multiple possibilities inherent in historical instances. Furthermore, by sensitizing its recipients to differentiated ways of engaging with textual gaps, the novel presents itself as a medium of historical orientation toward futures not articulated in the text itself. The novel’s implied future readers share the novel’s concern with emancipation of the oppressed, but the protocols of reading suggested in the novel also imply that these future readers may interrupt overly rigid historical narratives that may prevent emancipation in specific contexts. The novel remains relevant because of both its historical material and its sophisticated form, which explores aesthetic mediation of experience and relational narrative strategies without losing the sense of historical materiality and without subsuming experience within a concept of a self-enclosed subject.
本文分析了彼得·韦斯(Peter Weiss)的小说《宽地之死》(DieÉmericak des Widerstands,1975–81)中的并列和多感官叙事策略如何为小说的抵抗美学项目做出贡献,以供未来参考。小说的叙事模式强调情境化和具体化的未来阅读行为,这些行为跨越时间、地理和媒介间隙产生了新的历史联系和方向。维斯的小说以一种与历史事件中固有的多种可能性相适应的视角,介导了20世纪反法西斯抵抗的历史。此外,通过让接受者意识到处理文本空白的不同方式,小说将自己呈现为一种历史导向的媒介,指向文本本身没有阐明的未来。小说隐含的未来读者与小说一样关注被压迫者的解放,但小说中提出的阅读协议也暗示,这些未来读者可能会打断过于僵化的历史叙事,而这些叙事可能会在特定背景下阻碍解放。这部小说之所以具有相关性,是因为它的历史材料和复杂的形式,它探索了经验的美学中介和关系叙事策略,而没有失去历史物质性的感觉,也没有将经验纳入一个自我封闭的主体的概念中。
期刊介绍:
Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.