Stereotypes, gender, and humor in representations of coders in Silicon Valley. Review of TV series Silicon Valley (HBO 2014–2019)

IF 2.5 3区 哲学 Q1 CULTURAL STUDIES Science As Culture Pub Date : 2023-03-18 DOI:10.1080/09505431.2023.2189094
H. Little
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Abstract

As I scroll through my Twitter feed, I notice a link to an article. ‘20Ways HBO’s SiliconValley Is Just Like theReal Thing’ (Waugh, 2020), it reads. I pause. Is this a fun, observational listicle? Or a thorough take-down of how real tech culture is based on the same toxic attitudes and problematic characters we see in the show? It turns out to be the former, but it got me thinking about why I was so alarmed at the idea that Silicon Valley might represent current reality. Silicon Valley (Altschuler et al., 2014-2019) follows a team of male coders in present-day Silicon Valley as they launch and develop a startup company called Pied Piper. Pied Piper is a company based on a single algorithm developed by Richard Hendricks, the show’s protagonist, that allows for astonishingly efficient file compression without losing any data quality. The show follows the Pied Piper team over six seasons as they rise, fall and reinvent themselves to tackle the challenges that the tech industry throws at them. The show represents tech culture as a toxic, capitalist, predominantly male-dominated world with someutterly reprehensible characters frequently expressingmisogynistic attitudes that are outdated for themid to late 2010s timeperiod it is set in.At times, the show successfully illustrates the issues and hostilitywomen facewithin the tech industry through to the present day, though always with its tongue firmly in its cheek. In the series 2 episode The Lady, for instance, some of the Pied Piper team recommend hiring a coder named Carla Walton: a brash, punky woman with a leather jacket, blue-highlighted hair and heavy eyeliner. Jared, Pied Piper’s COO, remarks ‘There’s a distinct over-representation of men in this
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硅谷程序员的刻板印象、性别和幽默。电视剧《硅谷》回顾(HBO 2014–2019)
当我滚动我的Twitter feed时,我注意到一篇文章的链接。它写道:“HBO的硅谷就像真实的东西一样”(Waugh, 2020)。我停了下来。这是一篇有趣的、观察性的文章吗?还是彻底摧毁真实的科技文化是如何建立在我们在剧中看到的同样有毒的态度和有问题的人物基础上的?事实证明是前者,但这让我开始思考,为什么我对硅谷可能代表当前现实的观点如此担忧。《硅谷》(Altschuler等人,2014-2019)讲述了当今硅谷的一群男性编码器,他们创办并开发了一家名为Pied Piper的创业公司。Pied Piper是一家基于剧中主角理查德·亨德里克斯(Richard Hendricks)开发的单一算法的公司,该算法可以在不损失任何数据质量的情况下实现惊人的高效文件压缩。这部剧讲述了花衣魔笛手团队在六季中的起起落落和重塑自我,以应对科技行业给他们带来的挑战。这部剧把科技文化描绘成一个有毒的、资本主义的、男性主导的世界,其中一些完全应该受到谴责的角色经常表现出厌恶女性的态度,这些态度在它设定的2010年代中后期已经过时了。有时,这部剧成功地展示了女性在科技行业面临的问题和敌意,直到今天,尽管它总是直言不讳。例如,在第二季的《淑女》(the Lady)一集中,花衣魔笛手(Pied Piper)团队中的一些人建议雇佣一位名叫卡拉·沃尔顿(Carla Walton)的程序员:她是一个傲慢、朋克的女人,穿着皮夹克,头发是蓝色的,画着浓重的眼线。Pied Piper的首席运营官贾里德(Jared)说:“在这个行业中,男性的比例明显过高
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来源期刊
Science As Culture
Science As Culture Multiple-
CiteScore
5.20
自引率
3.80%
发文量
28
期刊介绍: Our culture is a scientific one, defining what is natural and what is rational. Its values can be seen in what are sought out as facts and made as artefacts, what are designed as processes and products, and what are forged as weapons and filmed as wonders. In our daily experience, power is exercised through expertise, e.g. in science, technology and medicine. Science as Culture explores how all these shape the values which contend for influence over the wider society. Science mediates our cultural experience. It increasingly defines what it is to be a person, through genetics, medicine and information technology. Its values get embodied and naturalized in concepts, techniques, research priorities, gadgets and advertising. Many films, artworks and novels express popular concerns about these developments. In a society where icons of progress are drawn from science, technology and medicine, they are either celebrated or demonised. Often their progress is feared as ’unnatural’, while their critics are labelled ’irrational’. Public concerns are rebuffed by ostensibly value-neutral experts and positivist polemics. Yet the culture of science is open to study like any other culture. Cultural studies analyses the role of expertise throughout society. Many journals address the history, philosophy and social studies of science, its popularisation, and the public understanding of society.
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