Respect-focused writing: An invitation to reflexivity in the use of terminology

IF 1.6 4区 医学 Q2 REHABILITATION Nordic Journal of Music Therapy Pub Date : 2022-10-03 DOI:10.1080/08098131.2022.2115208
G. Thompson
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引用次数: 2

Abstract

As authors, we find ourselves in a position of power and great responsibility. The terms, labels, and language we select to communicate our research and practice tell a story about peoples’ experiences of music therapy. The ways in which authors perceive music therapy practice, the people with whom they work, and the findings of their research, are often revealed in the words and phrases they select. Concerns around the use of terminology and language in music therapy publications are not new (Ansdell, 2002; Fairchild & Bibb, 2016; Procter, 2001; Rolvsjord, 2006). Indeed, Fairchild and Bibb (2016) concluded their critical reflection paper with a “call to action” for authors to select language that “more fully represent[s] [participants’] strengths and capacities in spite of their adverse experiences” (para. 21). Perhaps what has grown in volume and strength more recently are the voices of people with lived experience (experts by experience) who are critiquing the language and terminology adopted by authors, researchers, and practitioners. For example, in Tuastad and colleagues’ article (Tuastad et al., 2022), music therapy participants from a community mental health setting described how the title given to a concert event made them feel further stigmatised. During focus group interviews, participants requested that future music therapists in this context needed to “tone down the focus on mental illness, [and] turn up the volume regarding the importance of doing music” (p. 1). In response to critiques from experts by experience, some journals are now providing guidance about the use of labels and terminology (The National Autistic Society, 2022). One of the key issues regularly discussed is authors’ selection of identity-first versus person-first language. Debate around the use of these different formats is ongoing, and there are diverse points of view within and between different communities. For example, while it currently seems to be preferred to write “person with cerebral palsy” (person-first language), within the autistic community many advocates are calling for “autistic person” (identity-first language) to be used over “person with autism” (Bottema-Beutel et al., 2021). While there is no clear consensus that identityfirst language is preferred in all circumstances, some autistic people have highlighted that person-first language is not inherently respectful and in fact may have the opposite effect. The term “person with [condition]” implies that the condition should be considered separate to the person, and that having this condition is fundamentally a negative experience (Sinclair, 2013). When health conditions and differences are universally positioned as a negative, discrimination towards disabled people (ableism) is likely to thrive (Kumari Campbell, 2009). I have seen many examples of ableist language in published research articles. I am going to give a few examples next, so if you are an expert by experience, you might like to skip to the next paragraph to minimise additional harms. There is still a tendency for NORDIC JOURNAL OF MUSIC THERAPY 2022, VOL. 31, NO. 5, 383–386 https://doi.org/10.1080/08098131.2022.2115208
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以尊重为中心的写作:在术语的使用上鼓励反思
作为作家,我们发现自己处于权力和重大责任的位置。我们选择的术语、标签和语言来传达我们的研究和实践,讲述了人们对音乐治疗的经历。作者对音乐治疗实践的看法、他们的工作对象以及他们的研究结果,往往体现在他们选择的词汇和短语中。关注音乐治疗出版物中术语和语言的使用并不是什么新鲜事(Ansdell, 2002;Fairchild & Bibb, 2016;宝洁公司,2001;Rolvsjord, 2006)。事实上,Fairchild和Bibb(2016)在总结他们的批判性反思论文时“呼吁行动”,要求作者选择“更充分地代表[s][参与者]的优势和能力,尽管他们有不利的经历”的语言。21)。也许,最近在数量和力量上增长的是那些有生活经验的人(经验丰富的专家)的声音,他们正在批评作者、研究人员和实践者所采用的语言和术语。例如,在Tuastad及其同事的文章(Tuastad et al., 2022)中,来自社区心理健康机构的音乐治疗参与者描述了音乐会活动的标题如何使他们感到进一步的耻辱。在焦点小组访谈中,参与者要求在这种情况下,未来的音乐治疗师需要“淡化对精神疾病的关注,[并]提高对音乐重要性的重视”(第1页)。作为对经验专家批评的回应,一些期刊现在提供了关于标签和术语使用的指导(the National autism Society, 2022)。经常讨论的一个关键问题是作者对身份优先和个人优先语言的选择。关于使用这些不同格式的争论正在进行中,不同社区内部和社区之间存在不同的观点。例如,虽然目前似乎更倾向于写“脑瘫患者”(个人第一语言),但在自闭症社区内,许多倡导者呼吁使用“自闭症患者”(身份第一语言)而不是“自闭症患者”(Bottema-Beutel et al., 2021)。虽然并没有明确的共识认为身份第一语言在所有情况下都是首选,但一些自闭症患者强调,以人为本的语言并不是天生的尊重,事实上可能会产生相反的效果。“有[条件]的人”一词意味着该条件应被视为与个人分开,并且具有这种条件从根本上说是一种消极的体验(Sinclair, 2013)。当健康状况和差异被普遍定位为负面因素时,对残疾人的歧视(残疾歧视)可能会猖獗(Kumari Campbell, 2009)。我在发表的研究文章中看到过许多ableist语言的例子。接下来我将给出几个例子,所以如果你是经验丰富的专家,你可能会跳过下一段,以尽量减少额外的伤害。北欧音乐治疗杂志2022年第31卷第1期仍有趋势。5, 383-386 https://doi.org/10.1080/08098131.2022.2115208
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
45
期刊介绍: Nordic Journal of Music Therapy (NJMT) is published in collaboration with GAMUT - The Grieg Academy Music Therapy Research Centre (Uni Health and University of Bergen), with financial support from Nordic Board for Periodicals in the Humanities and Social Sciences and in co-operation with university programs and organizations of music therapy in the Nordic and Baltic countries. The Nordic Journal of Music Therapy serves the international community of music therapy by being an avenue for publication of scholarly articles, texts on practice, theory and research, dialogues and discussions, reviews and critique. Publication of the journal is based on the collaboration between the music therapy communities in the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden and the three Baltic Countries of Estonia, Latvia and Lithuania. This international but still regional foundation offers a platform for development of communication with the broader international community of music therapy. Scholars from all over the world are welcomed to write in the journal. Any kind of scholarly articles related to the field of music therapy are welcomed. All articles are reviewed by two referees and by the editors, to ensure the quality of the journal. Since the field of music therapy is still young, we work hard to make the review process a constructive learning experience for the author. The Nordic Journal of Music Therapy does not step aside from active engagement in the development of the discipline, in order to stimulate multicultural, meta-theoretical and philosophical discussions, and new and diverse forms of inquiry. The journal also stimulates reflections on music as the medium that defines the discipline. Perspectives inspired by musicology and ethnomusicology are therefore welcomed.
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