{"title":"Respect-focused writing: An invitation to reflexivity in the use of terminology","authors":"G. Thompson","doi":"10.1080/08098131.2022.2115208","DOIUrl":null,"url":null,"abstract":"As authors, we find ourselves in a position of power and great responsibility. The terms, labels, and language we select to communicate our research and practice tell a story about peoples’ experiences of music therapy. The ways in which authors perceive music therapy practice, the people with whom they work, and the findings of their research, are often revealed in the words and phrases they select. Concerns around the use of terminology and language in music therapy publications are not new (Ansdell, 2002; Fairchild & Bibb, 2016; Procter, 2001; Rolvsjord, 2006). Indeed, Fairchild and Bibb (2016) concluded their critical reflection paper with a “call to action” for authors to select language that “more fully represent[s] [participants’] strengths and capacities in spite of their adverse experiences” (para. 21). Perhaps what has grown in volume and strength more recently are the voices of people with lived experience (experts by experience) who are critiquing the language and terminology adopted by authors, researchers, and practitioners. For example, in Tuastad and colleagues’ article (Tuastad et al., 2022), music therapy participants from a community mental health setting described how the title given to a concert event made them feel further stigmatised. During focus group interviews, participants requested that future music therapists in this context needed to “tone down the focus on mental illness, [and] turn up the volume regarding the importance of doing music” (p. 1). In response to critiques from experts by experience, some journals are now providing guidance about the use of labels and terminology (The National Autistic Society, 2022). One of the key issues regularly discussed is authors’ selection of identity-first versus person-first language. Debate around the use of these different formats is ongoing, and there are diverse points of view within and between different communities. For example, while it currently seems to be preferred to write “person with cerebral palsy” (person-first language), within the autistic community many advocates are calling for “autistic person” (identity-first language) to be used over “person with autism” (Bottema-Beutel et al., 2021). While there is no clear consensus that identityfirst language is preferred in all circumstances, some autistic people have highlighted that person-first language is not inherently respectful and in fact may have the opposite effect. The term “person with [condition]” implies that the condition should be considered separate to the person, and that having this condition is fundamentally a negative experience (Sinclair, 2013). When health conditions and differences are universally positioned as a negative, discrimination towards disabled people (ableism) is likely to thrive (Kumari Campbell, 2009). I have seen many examples of ableist language in published research articles. I am going to give a few examples next, so if you are an expert by experience, you might like to skip to the next paragraph to minimise additional harms. There is still a tendency for NORDIC JOURNAL OF MUSIC THERAPY 2022, VOL. 31, NO. 5, 383–386 https://doi.org/10.1080/08098131.2022.2115208","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":"31 1","pages":"383 - 386"},"PeriodicalIF":1.6000,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nordic Journal of Music Therapy","FirstCategoryId":"3","ListUrlMain":"https://doi.org/10.1080/08098131.2022.2115208","RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"REHABILITATION","Score":null,"Total":0}
引用次数: 2
Abstract
As authors, we find ourselves in a position of power and great responsibility. The terms, labels, and language we select to communicate our research and practice tell a story about peoples’ experiences of music therapy. The ways in which authors perceive music therapy practice, the people with whom they work, and the findings of their research, are often revealed in the words and phrases they select. Concerns around the use of terminology and language in music therapy publications are not new (Ansdell, 2002; Fairchild & Bibb, 2016; Procter, 2001; Rolvsjord, 2006). Indeed, Fairchild and Bibb (2016) concluded their critical reflection paper with a “call to action” for authors to select language that “more fully represent[s] [participants’] strengths and capacities in spite of their adverse experiences” (para. 21). Perhaps what has grown in volume and strength more recently are the voices of people with lived experience (experts by experience) who are critiquing the language and terminology adopted by authors, researchers, and practitioners. For example, in Tuastad and colleagues’ article (Tuastad et al., 2022), music therapy participants from a community mental health setting described how the title given to a concert event made them feel further stigmatised. During focus group interviews, participants requested that future music therapists in this context needed to “tone down the focus on mental illness, [and] turn up the volume regarding the importance of doing music” (p. 1). In response to critiques from experts by experience, some journals are now providing guidance about the use of labels and terminology (The National Autistic Society, 2022). One of the key issues regularly discussed is authors’ selection of identity-first versus person-first language. Debate around the use of these different formats is ongoing, and there are diverse points of view within and between different communities. For example, while it currently seems to be preferred to write “person with cerebral palsy” (person-first language), within the autistic community many advocates are calling for “autistic person” (identity-first language) to be used over “person with autism” (Bottema-Beutel et al., 2021). While there is no clear consensus that identityfirst language is preferred in all circumstances, some autistic people have highlighted that person-first language is not inherently respectful and in fact may have the opposite effect. The term “person with [condition]” implies that the condition should be considered separate to the person, and that having this condition is fundamentally a negative experience (Sinclair, 2013). When health conditions and differences are universally positioned as a negative, discrimination towards disabled people (ableism) is likely to thrive (Kumari Campbell, 2009). I have seen many examples of ableist language in published research articles. I am going to give a few examples next, so if you are an expert by experience, you might like to skip to the next paragraph to minimise additional harms. There is still a tendency for NORDIC JOURNAL OF MUSIC THERAPY 2022, VOL. 31, NO. 5, 383–386 https://doi.org/10.1080/08098131.2022.2115208
期刊介绍:
Nordic Journal of Music Therapy (NJMT) is published in collaboration with GAMUT - The Grieg Academy Music Therapy Research Centre (Uni Health and University of Bergen), with financial support from Nordic Board for Periodicals in the Humanities and Social Sciences and in co-operation with university programs and organizations of music therapy in the Nordic and Baltic countries. The Nordic Journal of Music Therapy serves the international community of music therapy by being an avenue for publication of scholarly articles, texts on practice, theory and research, dialogues and discussions, reviews and critique. Publication of the journal is based on the collaboration between the music therapy communities in the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden and the three Baltic Countries of Estonia, Latvia and Lithuania. This international but still regional foundation offers a platform for development of communication with the broader international community of music therapy. Scholars from all over the world are welcomed to write in the journal. Any kind of scholarly articles related to the field of music therapy are welcomed. All articles are reviewed by two referees and by the editors, to ensure the quality of the journal. Since the field of music therapy is still young, we work hard to make the review process a constructive learning experience for the author. The Nordic Journal of Music Therapy does not step aside from active engagement in the development of the discipline, in order to stimulate multicultural, meta-theoretical and philosophical discussions, and new and diverse forms of inquiry. The journal also stimulates reflections on music as the medium that defines the discipline. Perspectives inspired by musicology and ethnomusicology are therefore welcomed.