Frederic Leighton's Flaming June, Thermodynamics, and the Heat Death of the Sun

Abstract

At the close of the nineteenth century, amid pervasive fears of decadence and widespread pessimism, Frederic Leighton (1830–96) completed Flaming June (1895). Taking as its starting point Victorian responses to the work that seem incomprehensible to viewers today, this paper examines the possible meaning behind Flaming June's more impenetrable iconography. The following discussion highlights the significance of thermodynamics in the work's cultural context. It examines the impact of an implication of the second law of thermodynamics, known as the Sun's heat death – a fated apocalyptic event – and suggests that this resonated with late Victorian audiences plagued by concerns of degeneration and decadence. Considered within this context, this paper reveals further layers of meaning embedded within the imagery of Flaming June available to a Victorian audience, but which have since been eclipsed by a dominant focus on other aspects of the painting's cultural milieu.