{"title":"„Rojenia międzyanatomiczne” i „anagramy ciała”: Konstanty A. Jeleński i prace Hansa Bellmera","authors":"Bartosz Swoboda","doi":"10.14746/pt.2022.37.4","DOIUrl":null,"url":null,"abstract":"The aim of this article is to discuss and analyze an extensive essay by Konstanty A. Jeleński, entitled Bellmer albo anatomia miłości fizycznej i nieświadomości [Bellmer or the anatomy of physical love and the unconsciousness], devoted to the works of Hans Bellmer, a German painter, drawer and writer. The article presents the scope and nature of artistic activities undertaken by Bellmer and the way in which these activities and works were described and interpreted by Jeleński. The aim of the article is to show the basic contexts in which Jeleński placed controversial and ambiguous works by the German artist. The article also mentions the main interpretative keys Jeleński uses to show the creative philosophy and uncover the secrets of artistic expression, especially the mechanisms of perceiving the body and visual manifestations of unconsciousness which come to the fore in Bellmer’s works.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Przestrzenie Teorii","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14746/pt.2022.37.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The aim of this article is to discuss and analyze an extensive essay by Konstanty A. Jeleński, entitled Bellmer albo anatomia miłości fizycznej i nieświadomości [Bellmer or the anatomy of physical love and the unconsciousness], devoted to the works of Hans Bellmer, a German painter, drawer and writer. The article presents the scope and nature of artistic activities undertaken by Bellmer and the way in which these activities and works were described and interpreted by Jeleński. The aim of the article is to show the basic contexts in which Jeleński placed controversial and ambiguous works by the German artist. The article also mentions the main interpretative keys Jeleński uses to show the creative philosophy and uncover the secrets of artistic expression, especially the mechanisms of perceiving the body and visual manifestations of unconsciousness which come to the fore in Bellmer’s works.
本文的目的是讨论和分析康斯坦蒂a . Jeleński的一篇广泛的文章，题为Bellmer albo anatomia miłości fizycznej i nieświadomości[贝尔默或身体爱和无意识的解剖]，致力于汉斯贝尔默的作品，德国画家，抽屉和作家。本文介绍了贝尔默从事的艺术活动的范围和性质，以及Jeleński描述和解释这些活动和作品的方式。这篇文章的目的是展示Jeleński放置德国艺术家有争议和模棱两可的作品的基本背景。文章还提到了Jeleński用来展示创作哲学和揭示艺术表达秘密的主要解释性钥匙，特别是贝尔默作品中突出的身体感知机制和无意识的视觉表现。
期刊介绍：
“Przestrzenie Teorii” is a theoretical and literary journal of scholarly criticism. The journal is peer-reviewed and reflects the research interests of authors from across a wide range of universities in Poland, as well as presents translations of texts of distinguished foreign theoreticians in literature. The journal undertakes to present key and essential problems in the contemporary criticism and theory of literature, and provides a platform for a transdisciplinary dialogue. The published texts, presented in diversified methodological approach, address both aesthetical and poetical problems in different areas of research, encompassing theatre and film, but also drama and art (in particular, visual and performative art forms). The journal is characterized by its interdiciplinary approach, participates in the present-day scholarly discourse in the philosophy of science and attempts to effect its policy of fostering the polyphonic form of literary studies in drama. “Przestrzenie Teorii” is published semi-annually.
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