The Acting Class and the Myths of Meritocracy

IF 0.2 1区 艺术学 0 FILM, RADIO, TELEVISION Journal of British Cinema and Television Pub Date : 2022-01-01 DOI:10.3366/jbctv.2022.0601
Deirdre O’Neill, Mike Wayne
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Abstract

Our feature documentary The Acting Class (2017) is here contextualised in the context of a critique of the cultural industries as part of the ideology of meritocracy and a resurgence of work around class in the sociology of culture. The Acting Class focuses on the question of class stratification in the UK acting industry. We here review our research on this issue and contextualise it within the scholarly literature on diversity and inequality, the creative industries and the broader reconfigurations of the political economy of British capitalism. We also discuss the importance of the interview in creative practice research as a way of democratising knowledge production and socialising experience.
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表演阶级和精英政治的神话
我们的专题纪录片《表演阶级》(2017)在这里被置于对文化产业的批评背景下,作为精英统治意识形态的一部分,以及文化社会学中围绕阶级的工作的复苏。《演技班》关注的是英国演艺界的阶级分层问题。在这里,我们回顾了我们对这个问题的研究,并将其置于关于多样性和不平等、创意产业和英国资本主义政治经济更广泛的重构的学术文献中。我们还讨论了访谈作为知识生产民主化和经验社会化的一种方式在创造性实践研究中的重要性。
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来源期刊
Journal of British Cinema and Television
Journal of British Cinema and Television FILM, RADIO, TELEVISION-
CiteScore
1.20
自引率
11.10%
发文量
53
期刊最新文献
Matthew Smith, The Child in British Cinema Melanie Williams, A Taste of Honey Unionist Screws: Depictions of Northern Irish Unionists in British and Irish Cinema Charles Barr, British Cinema: A Very Short Introduction Rapid Evidence Analysis of Diversity in UK Public Service Television: What Do We Know and What Should We Find Out?
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