{"title":"“Golpe, não!”: Twenty-First-Century Brazilian Songs of Protest","authors":"Ligia Bezerra","doi":"10.7560/SLAPC3902","DOIUrl":null,"url":null,"abstract":"Abstract:Brazilian Popular Music has long energized public debate on a variety of issues in Brazilian society. From Geraldo Vandré’s “Pra não dizer que não falei das flores” (1968) to Anitta’s “Vai, malandra” (2017), Brazilian Popular Music has sparked conversations and reflections about democracy, gender and race relations, poverty, migration, and much more. In this article, I analyze how recent Brazilian Popular Music was used as an instrument of mobilization around the defense of democracy in the context of the political turmoil the country has experienced since the beginning of President Dilma Rousseff’s second term. I contend that the songs in question—songs of protest—illustrate how Brazilian Popular Music as a discourse continues to have the constitutive proprieties that characterized it in the second half of the twentieth century. In other words, these songs serve as a compass for ways of living and behaving in current Brazilian society.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":"39 1","pages":"24 - 39"},"PeriodicalIF":0.1000,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/SLAPC3902","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract:Brazilian Popular Music has long energized public debate on a variety of issues in Brazilian society. From Geraldo Vandré’s “Pra não dizer que não falei das flores” (1968) to Anitta’s “Vai, malandra” (2017), Brazilian Popular Music has sparked conversations and reflections about democracy, gender and race relations, poverty, migration, and much more. In this article, I analyze how recent Brazilian Popular Music was used as an instrument of mobilization around the defense of democracy in the context of the political turmoil the country has experienced since the beginning of President Dilma Rousseff’s second term. I contend that the songs in question—songs of protest—illustrate how Brazilian Popular Music as a discourse continues to have the constitutive proprieties that characterized it in the second half of the twentieth century. In other words, these songs serve as a compass for ways of living and behaving in current Brazilian society.
摘要：巴西流行音乐长期以来激发了公众对巴西社会各种问题的辩论。从Geraldo Vandré的《Pra não dizer que não-falei das flores》（1968年）到Anitta的《Vai，malandra》（2017年），巴西流行音乐引发了关于民主、性别和种族关系、贫困、移民等问题的对话和思考。在这篇文章中，我分析了自迪尔玛·罗塞夫总统第二任期开始以来，巴西经历了政治动荡，最近的巴西流行音乐是如何被用作围绕捍卫民主的动员工具的。我认为，这些有问题的歌曲——抗议歌曲——说明了巴西流行音乐作为一种话语，如何继续具有20世纪下半叶特有的固有礼仪。换句话说，这些歌曲是当前巴西社会生活和行为方式的指南针。
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