“I Wish I Could Have Been With You”: Imagining Digital Tenderness in 2 Lizards

IF 0.3 0 ART Visual Resources Pub Date : 2020-07-02 DOI:10.1080/01973762.2021.1969209
H. Nelson
{"title":"“I Wish I Could Have Been With You”: Imagining Digital Tenderness in 2 Lizards","authors":"H. Nelson","doi":"10.1080/01973762.2021.1969209","DOIUrl":null,"url":null,"abstract":"The COVID-19 pandemic has profoundly reframed our ability to connect in bodily, physical ways, prompting a retreat to the digital. Artist Meriem Bennani and filmmaker Orian Barki offer a vessel for this escape in their series 2 Lizards, released in eight episodes in the early stages of the pandemic. Set in a New York populated by animal surrogates, the animated series showcases the eponymous lizards – voiced by Bennani and Barki – navigating the anxiety, boredom, and catharsis of the ensuing quarantine in New York, replete with Zoom birthdays, rooftop concerts, and protests against racial inequity. The series strives to provide a sense of digital tenderness through its inherent hybridity. The lizards, cyborg avatars melding the human, the animal, and the machine, elude binaries and strictures, presenting a new way of forging connection and probing the emotional contours of life in the pandemic. Native to Instagram and created with a wide circle of collaborators, friends, and family, 2 Lizards relishes the elision between online and offline and the liberatory potential of the in-between. Bennani and Barki propose that through the Internet, there are new possibilities for communion, touch, presence, and care when bodies remain contingent and vulnerable. To be animals, they suggest, is to radically reimagine what constitutes the stuff of human experience.","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Resources","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01973762.2021.1969209","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

Abstract

The COVID-19 pandemic has profoundly reframed our ability to connect in bodily, physical ways, prompting a retreat to the digital. Artist Meriem Bennani and filmmaker Orian Barki offer a vessel for this escape in their series 2 Lizards, released in eight episodes in the early stages of the pandemic. Set in a New York populated by animal surrogates, the animated series showcases the eponymous lizards – voiced by Bennani and Barki – navigating the anxiety, boredom, and catharsis of the ensuing quarantine in New York, replete with Zoom birthdays, rooftop concerts, and protests against racial inequity. The series strives to provide a sense of digital tenderness through its inherent hybridity. The lizards, cyborg avatars melding the human, the animal, and the machine, elude binaries and strictures, presenting a new way of forging connection and probing the emotional contours of life in the pandemic. Native to Instagram and created with a wide circle of collaborators, friends, and family, 2 Lizards relishes the elision between online and offline and the liberatory potential of the in-between. Bennani and Barki propose that through the Internet, there are new possibilities for communion, touch, presence, and care when bodies remain contingent and vulnerable. To be animals, they suggest, is to radically reimagine what constitutes the stuff of human experience.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
“我希望我能和你在一起”:想象2只蜥蜴的数字温柔
2019冠状病毒病大流行深刻地重塑了我们以身体和物理方式进行联系的能力,促使我们退回到数字时代。艺术家梅里姆·本纳尼和电影制作人奥里安·巴尔基在他们的第二季《蜥蜴》中为这种逃离提供了一个容器,该剧在疫情早期分八集播出。这部动画系列以动物代理人居住的纽约为背景,展示了同名蜥蜴——由本纳尼和巴基配音——在纽约随后的隔离中度过焦虑、无聊和宣泄,充满了Zoom的生日、屋顶音乐会和对种族不平等的抗议。该系列力求通过其固有的混杂性提供一种数字温柔感。蜥蜴,融合了人类、动物和机器的电子化身,避开了二元和限制,呈现了一种建立联系和探索流行病中生活情感轮廓的新方式。2 Lizards原生于Instagram,与广泛的合作者、朋友和家人一起创作,享受线上和线下之间的分离,以及两者之间的解放潜力。Bennani和Barki提出,当身体仍然是偶然和脆弱的时候,通过互联网,有了交流、触摸、存在和关怀的新可能性。他们认为,作为动物,就是从根本上重新想象构成人类经验的东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
12
期刊最新文献
There Is a Digital Art History Creative-aesthetic product design and tools ‘Constructing a Critical Situation’: A Data-Based Approach to the Study of Cultural Periodicals and Art Criticism How Do Ecological Emotions Emerge? An Analysis of Contemporary Swiss Eco-documentaries The Emotions of the Late Anthropocene in Visual Arts
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1