{"title":"Rememorying Slavery: Intergenerational Memory and Trauma in Toni Morrison’s Beloved (1987) and Conceição Evaristo’s Ponciá Vicêncio (2003)","authors":"Luana de Souza Sutter","doi":"10.1093/cww/vpaa002","DOIUrl":null,"url":null,"abstract":"\n This paper looks at parallels in the articulation of memory and trauma between Toni Morrison’s Beloved and the more recent publication Ponciá Vicêncio, written in 2003 by the Afro-Brazilian writer Conceição Evaristo. It examines the novels’ illustration of slavery trauma and the creative investment of descendants of slaves in re-presenting traumatic family history. With this concern, it proposes a comparative reading of Beloved and Ponciá Vicêncio, focusing, first, on their representations of the embodiment of trauma; second, on their respective concepts of rememory and memory-thoughts – or pensamentos-lembranças; and third, on the descendants’ engagement with the revision of narratives of family past, through the characters Denver and Ponciá.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa002","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Womens Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/cww/vpaa002","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
This paper looks at parallels in the articulation of memory and trauma between Toni Morrison’s Beloved and the more recent publication Ponciá Vicêncio, written in 2003 by the Afro-Brazilian writer Conceição Evaristo. It examines the novels’ illustration of slavery trauma and the creative investment of descendants of slaves in re-presenting traumatic family history. With this concern, it proposes a comparative reading of Beloved and Ponciá Vicêncio, focusing, first, on their representations of the embodiment of trauma; second, on their respective concepts of rememory and memory-thoughts – or pensamentos-lembranças; and third, on the descendants’ engagement with the revision of narratives of family past, through the characters Denver and Ponciá.