Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival

IF 0.2 3区 艺术学 0 THEATER CANADIAN THEATRE REVIEW Pub Date : 2022-11-01 DOI:10.3138/ctr.192.015
Daisy Thompson
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引用次数: 0

Abstract

Abstract:Matriarchs UprisingFestivalwas founded and is curated by mixed Anishinaabe, French-Canadian, and Welsh dance artist Olivia C. Davies. Birthed to gather and to present the works of Indigenous women artists who create within the realm of contemporary dance, the inaugural festival took place in 2019 on the ancestral and unceded Indigenous territories of the məθkʷəỷəm, sḵwx̱wú7mesh, and seỉíỉwitulh First Nations (Vancouver), at the Scotiabank Dance Centre. Within this review, I weave the thinking, praxis, and voices of Olivia C. Davies and the many artists who have been housed within Matriarchs Uprising. I speak of the festival being a container of attuned connection to empowered living.
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走向:在女族长起义节中播种联系
摘要:Matriarchs UprissingFestival由法裔加拿大人Anishinaabe和威尔士舞蹈艺术家Olivia C.Davies共同创立并策划。首届艺术节旨在聚集和展示在当代舞蹈领域进行创作的土著女艺术家的作品,于2019年在祖先和未经宣布的土著领地mşθkʷş举行ỷμm,sḵwx̱wú7mesh和seỉíỉ在加拿大丰业银行舞蹈中心,维图尔赫第一民族(温哥华)。在这篇评论中,我编织了奥利维亚·C·戴维斯的思想、实践和声音,以及许多在女族长起义中生活过的艺术家。我说这个节日是一个与赋权生活和谐联系的容器。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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