{"title":"Towards an eco-decolonial museum practice through critical realism and Cultural Historical Activity Theory","authors":"T. Jeffery","doi":"10.1080/14767430.2022.2031788","DOIUrl":null,"url":null,"abstract":"ABSTRACT Museum practice remains rooted in its historical ontology of nature-culture dualism. This article moves beyond this dualism by combining Bhaskar’s dialectical MELD schema with cultural historical activity theory. It therefore provides an iterative, practical pathway towards a new, ecological-decolonial mode of museology that potentially disrupts normalized practice and generates new possibilities for museums to offer people agency. A situated turn for museum practice is thus envisioned, with a focus on people as complex social-ecological entities. Specifically, this involves a dialectical relationship between peoples’ stories, or intangible heritage, and the core museum activity of collecting.","PeriodicalId":45557,"journal":{"name":"Journal of Critical Realism","volume":"21 1","pages":"170 - 195"},"PeriodicalIF":3.2000,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Critical Realism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14767430.2022.2031788","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT Museum practice remains rooted in its historical ontology of nature-culture dualism. This article moves beyond this dualism by combining Bhaskar’s dialectical MELD schema with cultural historical activity theory. It therefore provides an iterative, practical pathway towards a new, ecological-decolonial mode of museology that potentially disrupts normalized practice and generates new possibilities for museums to offer people agency. A situated turn for museum practice is thus envisioned, with a focus on people as complex social-ecological entities. Specifically, this involves a dialectical relationship between peoples’ stories, or intangible heritage, and the core museum activity of collecting.