Remediating Kalimán: Digital Evolutions of Eugenic Agents

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI:10.1163/23523085-00501004
I. Gutierrez
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Abstract

Kalimán is a Mexican superhero that has circulated Orientalist eugenic values for over fifty years across Latin America. Although Indian, and wearing traditional Indian subcontinental clothing, distinguishable only by a jewel-encased “K” on his turban, Kalimán is a muscular, blue-eyed, and white character. He was created in 1963 as the main protagonist of a radio series that spawned a comic magazine in 1965, two films in 1972 and 1976, and animations and video games in the early 2010s, in a massive process of remediation that has guaranteed a solid mark in the cultural patrimony of the Americas. Since Kalimán incarnates impulses of punishment and desire over racially contaminated brown and black characters, his undisturbed, easy-to-access, and enduring presence provides evidence of deeply ingrained anti-Asian violence in Latin American popular culture, as well as the urge to develop a critical look at graphic violence traditions which continue to be treasured.
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补救Kalimán:优生代理的数字进化
Kalimán是一个墨西哥超级英雄,在拉丁美洲传播东方优生价值观超过50年。虽然是印度人,穿着传统的印度次大陆服装,只能从头巾上镶着珠宝的“K”来区分,Kalimán却是一个肌肉发达、蓝眼睛的白人角色。1963年,他作为一个广播系列节目的主角被创造出来,1965年出版了一本漫画杂志,1972年和1976年上映了两部电影,2010年代初又推出了动画和电子游戏。在这个大规模的修复过程中,他在美洲文化遗产中留下了坚实的印记。由于Kalimán体现了对种族污染的棕色和黑色角色的惩罚和欲望的冲动,他不受干扰,易于接近,持久的存在为拉丁美洲流行文化中根深蒂固的反亚洲暴力提供了证据,以及对图形暴力传统进行批判性审视的冲动,这些传统一直被珍视。
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Asian Diasporic Visual Cultures and the Americas
Asian Diasporic Visual Cultures and the Americas HUMANITIES, MULTIDISCIPLINARY-
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