De aviación, aves cantoras y nostalgia: La tórtola del Ajusco, de Julio Sesto, como figura del recuerdo

Kevin M. Anzzolin
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Abstract

Aqui se analizara una novela hasta ahora ignorada: La tortola del Ajusco, escrita por Julio Sesto y publicada en 1915. Contando con las teorias de memoria cultural propuestas por el arqueologo aleman Jan Assman, argumentare que el texto de Sesto constituye una ‘figura del recuerdo’. Tambien recurrire a las teorias del filosofo aleman Walter Benjamin y las del critico literario Raymond Williams para evaluar La tortola del Ajusco como un ejemplo de historicismo evolucionista vulgar-- una intervencion literaria que privilegia la cultura residual si no ‘caduca’ del Porfiriato. Here, I shall examine a yet unstudied novel: Julio Sesto’s La tortola del Ajusco , published in 1915. By activating theories of collective memory as elaborated by German archeologist Jan Assman, I claim that Sesto’s novel constitutes a ‘figure of memory’. I shall also invoke the theories of German philosopher Walter Benjamin as well as those of literary critic Raymond Williams, and thus evaluate La tortola del Ajusco as a type of vulgar evolutionist historicism—literary intervention that privileges a ‘residual’ or even expired culture.
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航空,歌唱的鸟和怀旧:La tortola del Ajusco,胡里奥·塞斯托,作为纪念人物
在这里,我们将分析一部迄今为止被忽视的小说:胡里奥·塞斯托创作并于1915年出版的《阿朱斯科的玉米饼》。根据德国考古学家扬·阿斯曼提出的文化记忆理论,他认为塞斯托的文本构成了“记忆的形象”。我还将利用德国哲学家沃尔特·本杰明和文学评论家雷蒙德·威廉姆斯的理论,将阿朱斯科的托托拉作为庸俗进化历史主义的一个例子进行评估,这是一种文学干预,如果残余文化不“过时”,就会优先考虑卟啉症。在这里,我将研究一部尚未研究的小说:胡里奥·塞斯托的《阿尤斯科的玉米饼》,1915年出版。通过激活德国考古学家扬·阿斯曼提出的集体记忆理论,我声称塞斯托的小说构成了“记忆的人物”。我还将援引德国哲学家沃尔特·本杰明的理论以及文学评论家雷蒙德·威廉姆斯的理论,从而将阿尤斯科的托托拉作为一种粗俗的进化主义历史主义-文学干预,优先考虑“残余”甚至过期的文化。
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审稿时长
12 weeks
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