Regulation (EU) 2019/880 and the 1970 UNESCO Convention – A Note on the Interplay between the EU and UNESCO Import Regimes

Q2 Arts and Humanities Santander Art and Culture Law Review Pub Date : 2021-12-31 DOI:10.4467/2450050xsnr.21.023.15268
Hanna Schreiber
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Abstract

The 1970 UNESCO Convention is the key international instrument to protect movable cultural heritage. States Parties to this treaty undertake to adopt measures to prohibit and prevent the illicit trade in such objects, as well as those designed to stop the import of unlawfully exported cultural goods. The EU, as an important UNESCO partner and a powerful regional organization, has been urged since the 2000s by many international actors as well as its own institutions to curb the illicit transfer of cultural goods within its boundaries, especially in the light of the influx of cultural material illicitly removed from conflict-ridden territories. Regulation (EU) 2019/880 on the introduction and the import of cultural goods may be seen as providing a long-awaited legal framework that would promote and strengthen the operation of 1970 UNESCO Convention, both in Europe and globally. Thus, there is a significant interplay between the UNESCO and the EU cultural goods import regimes, which this note endeavours to analyse.
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条例(欧盟)2019/880和1970年《联合国教科文组织公约》——关于欧盟与教科文组织进口制度相互作用的说明
1970年联合国教科文组织公约是保护可移动文化遗产的重要国际文书。本条约缔约国承诺采取措施,禁止和防止此类物品的非法贸易,以及旨在阻止非法出口文化产品进口的措施。欧盟作为教科文组织的一个重要合作伙伴和一个强大的地区组织,自2000年代以来,许多国际行为体及其自身机构一直敦促欧盟遏制文化产品在其境内的非法转让,特别是考虑到从冲突地区非法移走的文化材料的涌入。关于引进和进口文化产品的条例(欧盟)2019/880可以被视为提供了一个期待已久的法律框架,将促进和加强1970年教科文组织公约在欧洲和全球的实施。因此,教科文组织和欧盟文化产品进口制度之间存在着重要的相互作用,本说明将对此进行分析。
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Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
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