The politics, aesthetics and dissonance of music in everyday life

IF 0.1 N/A MUSIC Jazz Research Journal Pub Date : 2019-10-13 DOI:10.1558/jazz.39944
Roger Fagge
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Abstract

This article will offer some thoughts on the relationship between the everyday and the role of music. It will look at how critics and artists have established the importance ofthe everyday, and how this has appeared in their work. It will then explore what music in the everyday reveals about the nature of modern society.
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日常生活中音乐的政治、美学和不和谐
本文将对日常生活与音乐角色之间的关系提出一些思考。它将着眼于评论家和艺术家如何确立日常生活的重要性,以及这是如何在他们的作品中出现的。然后,它将探索日常音乐揭示了现代社会的本质。
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期刊介绍: Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.
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