Revisiting the South Korean Youth Culture and T’ongkit’a Music

IF 1.3 3区 艺术学 0 MUSIC POPULAR MUSIC AND SOCIETY Pub Date : 2022-08-30 DOI:10.1080/03007766.2022.2117010
Young-hui Kim
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引用次数: 0

Abstract

ABSTRACT T’ongkit’a music grew out of the 1960s Korean youth culture, which was centered on elite university students. Previous studies on t'ongkit’a music often highlight its political and social consciousness, but even in its heyday, t’ongkit’a music’s relationship with political activism was limited and accidental. Though it should not be overlooked that the youth’s music was a new mode of social and aesthetic interaction and communication, its political values and effects are rather a later invention of the progressive popular music researchers
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重新审视韩国青年文化与通基塔音乐
【摘要】“同乐”音乐产生于20世纪60年代以大学生为中心的韩国青年文化。以往对唐吉纳音乐的研究往往突出其政治和社会意识,但即使在鼎盛时期,唐吉纳音乐与政治活动的关系也是有限的和偶然的。不可忽视的是,青年音乐是一种新的社会和审美互动和交流模式,但其政治价值和影响却是进步的流行音乐研究者后来的发明
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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