From the ‘Nobleman’s Sword’ to the ‘Flag of the Fascist Ideals’

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Fascism Pub Date : 2022-11-16 DOI:10.1163/22116257-bja10043
Vassilios A. Bogiatzis
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Abstract

This article examines the ideological trajectory of Ioannis Metaxas and his intellectual Weltanschauung. It argues that he was strongly influenced by several German developments, including the Kultur vs. Zivilisation debate. Furthermore, from the 1920s he explicitly transformed key fascist ideas and drew on those of the ‘Conservative Revolution’. It shows that Metaxas addressed all key historical developments, from the turn of the century, to the establishment of his dictatorship, to the Second World War, through his ideological and intellectual prism: national reconstruction and palingenesis and a new cultural orientation for the Greek nation. Metaxas’s thinking is examined from its formative period in Germany (1899–1903) to his dictatorship (1936–1941). The methodological framework draws on the work of Peter Wagner, who conceives the period from 1870 to 1940 as the heyday of the ‘first crisis of modernity’; the work of Roger Griffin, Aristotle Kallis, and António Costa Pinto centred around the palingenetic, modernist dynamic of fascism; and finally, the notion of ‘intellectual appropriation of technology’ developed by Mikael Hård and Andrew Jamison.
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从“诺贝尔之剑”到“法西斯理想旗帜”
本文考察了梅塔克萨斯的思想轨迹及其思想世界观。该书认为,他受到了德国几项发展的强烈影响,包括文化与文明之争。此外,从20世纪20年代开始,他明确地转变了法西斯主义的关键思想,并借鉴了“保守革命”的思想。它表明,梅塔克萨斯通过他的意识形态和思想棱镜,论述了从世纪之交到独裁统治的建立,再到第二次世界大战的所有关键历史发展:国家重建和重生,以及希腊民族的新文化方向。本文考察了梅塔克萨斯的思想从其在德国的形成时期(1899-1903)到他的独裁统治时期(1936-1941)。方法论框架借鉴了彼得·瓦格纳(Peter Wagner)的作品,他认为1870年至1940年是“现代性第一次危机”的全盛时期;罗杰·格里芬(Roger Griffin)、亚里士多德·卡利斯(Aristotle Kallis)和António科斯塔·平托(Costa Pinto)的作品围绕着法西斯主义的古老遗传和现代主义动态展开;最后是Mikael ha和Andrew Jamison提出的“技术的智力占有”概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Fascism
Fascism HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
审稿时长
20 weeks
期刊介绍: Fascism publishes peer-reviewed (double blind) articles in English, mainly but not exclusively by both seasoned researchers and postgraduates exploring the phenomenon of fascism in a comparative context and focusing on such topics as the uniqueness and generic aspects of fascism, patterns in the causal aspects/genesis of various fascisms in political, economic, social, historical, and psychological factors, their expression in art, culture, ritual and propaganda, elements of continuity between interwar and postwar fascisms, their relationship to national and cultural crisis, revolution, modernity/modernism, political religion, totalitarianism, capitalism, communism, extremism, charismatic dictatorship, patriarchy, terrorism, fundamentalism, and other phenomena related to the rise of political and social extremism.
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