{"title":"Mixing “Nonsense with Substance”: Negotiating Satirical and Investigative Journalism Hybrid Genre in Nigeria","authors":"J. Ogbodo","doi":"10.1080/23743670.2022.2041454","DOIUrl":null,"url":null,"abstract":"ABSTRACT Journalism has witnessed steady transformations over the years. Peripheral actors’ intrusion into the mainstream journalism practice has added extra layers to our understanding of these changes. This study examines the interplay between satirical journalism and investigative journalism in Nigerian setting. The study employs a semistructured interview to evaluate how satirical and investigative journalism genres blend. Through this process, the study interrogates how the hybridity of this genre is negotiated in an African/Nigerian setting. Ten satirists (participants) provided a self-assessment of their production process. The study demonstrates that Nigerian satirical shows such as Pararan Mock News and Keepin it Real with Adeola fill a gap in Nigerian journalism where many news organisations are not critical of the government. This type of satire performs the watchdog role of journalism by calling the powerful to account through humour and jokes. As such, the line between satirical journalism and mainstream journalism keeps blurring. Although satirical journalism is evolving in Nigeria, scholarship in this area should consider it as a genuine source of (political) information and an important form of public sense-making and knowledge production. The taxonomy of satirical journalism emerging from this study includes critical, entertainment, advocacy and investigative satire. In all, this study has established that journalism and comedy practice could blend together in news satire to create a hybrid genre that combines “substance” and “nonsense” to interrogate societal anomalies.","PeriodicalId":54049,"journal":{"name":"African Journalism Studies","volume":"42 1","pages":"137 - 152"},"PeriodicalIF":1.1000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"African Journalism Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/23743670.2022.2041454","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Journalism has witnessed steady transformations over the years. Peripheral actors’ intrusion into the mainstream journalism practice has added extra layers to our understanding of these changes. This study examines the interplay between satirical journalism and investigative journalism in Nigerian setting. The study employs a semistructured interview to evaluate how satirical and investigative journalism genres blend. Through this process, the study interrogates how the hybridity of this genre is negotiated in an African/Nigerian setting. Ten satirists (participants) provided a self-assessment of their production process. The study demonstrates that Nigerian satirical shows such as Pararan Mock News and Keepin it Real with Adeola fill a gap in Nigerian journalism where many news organisations are not critical of the government. This type of satire performs the watchdog role of journalism by calling the powerful to account through humour and jokes. As such, the line between satirical journalism and mainstream journalism keeps blurring. Although satirical journalism is evolving in Nigeria, scholarship in this area should consider it as a genuine source of (political) information and an important form of public sense-making and knowledge production. The taxonomy of satirical journalism emerging from this study includes critical, entertainment, advocacy and investigative satire. In all, this study has established that journalism and comedy practice could blend together in news satire to create a hybrid genre that combines “substance” and “nonsense” to interrogate societal anomalies.
摘要近年来,新闻学经历了稳步的变革。外围参与者对主流新闻实践的入侵为我们对这些变化的理解增加了额外的层次。这项研究考察了尼日利亚背景下讽刺新闻和调查新闻之间的相互作用。这项研究采用了半结构化的采访来评估讽刺和调查性新闻流派是如何融合的。通过这个过程,该研究询问了在非洲/尼日利亚的背景下,这种类型的混合性是如何协商的。十位讽刺作家(参与者)对他们的创作过程进行了自我评估。该研究表明,《Pararan Mock News》和《Keepin it Real with Adeola》等尼日利亚讽刺节目填补了尼日利亚新闻业的空白,因为许多新闻机构对政府并不持批评态度。这种类型的讽刺通过幽默和笑话来要求权贵承担责任,从而发挥新闻业的监督作用。因此,讽刺新闻和主流新闻之间的界限不断模糊。尽管讽刺新闻在尼日利亚正在发展,但这一领域的学术界应该将其视为(政治)信息的真正来源,以及公共意识和知识生产的重要形式。本研究中出现的讽刺新闻分类包括评论性、娱乐性、倡导性和调查性讽刺。总之,这项研究表明,新闻和喜剧实践可以在新闻讽刺中融合在一起,创造出一种结合“实质”和“无稽之谈”的混合类型,以质疑社会异常现象。
期刊介绍:
Accredited by the South African Department of Higher Education and Training for university research purposes African Journalism Studies subscribes to the Code of Best Practice for Peer Reviewed Scholarly Journals of the Academy of Science of South Africa. African Journalism Studies ( AJS) aims to contribute to the ongoing extension of the theories, methodologies and empirical data to under-researched areas of knowledge production, through its emphasis on African journalism studies within a broader, comparative perspective of the Global South. AJS strives for theoretical diversity and methodological inclusivity, by developing theoretical approaches and making critical interventions in global scholarly debates. The journal''s comparative and interdisciplinary approach is informed by the related fields of cultural and media studies, communication studies, African studies, politics, and sociology. The field of journalism studies is understood broadly, as including the practices, norms, value systems, frameworks of representation, audiences, platforms, industries, theories and power relations that relate to the production, consumption and study of journalism. A wide definition of journalism is used, which extends beyond news and current affairs to include digital and social media, documentary film and narrative non-fiction.