El sagrario de Durana (Álava). Una microarquitectura eucarística modélica de hacia 1595

Abstract

This article focuses on a Romanist a tabernacle which, due to its architectural, sculptural and iconographic characteristcs, could be considered exemplary of the artistic context of Alava at the end of the 16 th century. At this moment, new regulations from Trento prevailed in the Calahorra-La Calzada diocese, demanding more atention upon Eucharistc furniture, and artsts were capable of answering to these devotional demands through a new artistic style. This style, which we call Romanism, was triumphant, showing a clear infuence of Michelangelo.