Visualizing Peasant and Bovine Self-Sustenance in the Famine Tracts of Colonial India

IF 0.4 1区 艺术学 0 ART ART BULLETIN Pub Date : 2023-01-02 DOI:10.1080/00043079.2022.2109390
L. Oliver
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引用次数: 1

Abstract

Abstract In the second half of the nineteenth century, the British Raj sponsored cattle competitions across India to educate peasants in responsible bovine husbandry practices to mitigate famine. Photographs of these competitions, which demonstrate the fraught convergence of economic liberalism and colonial humanitarianism, aimed to constitute model peasants and cattle of measurable self-improvement. Simultaneously, the photographs reveal traces of bovine-peasant relationships that unsettle these newly conceived colonial subjects and that speak to the manner in which cattle’s bodies were sites of competing political and affective inscription.
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想象印度殖民地饥荒地区的农民和牛的自我维持
摘要19世纪下半叶,英国统治在印度各地赞助了养牛比赛,教育农民负责任的养牛实践,以缓解饥荒。这些比赛的照片展示了经济自由主义和殖民地人道主义令人担忧的融合,旨在塑造可衡量的自我完善的模范农民和牲畜。同时,这些照片揭示了牛与农民关系的痕迹,这些关系扰乱了这些新构思的殖民主题,并说明了牛的身体是相互竞争的政治和情感铭文的场所。
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42
期刊介绍: The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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