Many a Tale of Dread: The Dystopian Interface of Totalitarianism and Colonial Imperialism in the Númenor Narratives of J.R.R. Tolkien

IF 0.1 4区 文学 N/A LANGUAGE & LINGUISTICS Journal of Language Literature and Culture Pub Date : 2020-09-01 DOI:10.1080/20512856.2020.1849943
A. Whyte
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引用次数: 1

Abstract

ABSTRACT Utopian literature is a literature of interfaces, as it is a discursive space in which countless modes and genres meet and converse. Utopia’s shadow, dystopia, is ‘a lens through which we filter historical reality’, and dystopian discourses have enabled productive and critical scrutiny of the excesses of modern history, although their role in perceiving the interconnectedness of political enormities is still developing. This article utilises dystopia as an interface for comparing the speculative representation of oppressive and destructive political actions in the form of totalitarianism and imperialist colonial policy. It will make a case study of this in the revisions from 1934 to the late 1950s of the dystopian Númenor narratives of J.R.R. Tolkien, which engage with themes of totalitarian and colonial subjugation. This will demonstrate how dystopian representation enhances understanding of totalitarianism and imperialism as interrelated phenomena.
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恐怖的故事:托尔金小说中极权主义与殖民帝国主义的反乌托邦界面
摘要乌托邦文学是一种界面文学,它是一个话语空间,无数的模式和流派在其中相遇和对话。乌托邦的阴影,反乌托邦,是“我们过滤历史现实的镜头”,反乌托邦话语使我们能够对现代历史的过度进行富有成效的批判性审查,尽管它们在感知政治严重性的相互关联方面的作用仍在发展中。本文利用反乌托邦作为一个界面,比较极权主义和帝国主义殖民政策形式的压迫性和破坏性政治行动的推测性表现。它将在1934年至20世纪50年代末对J·R·R·托尔金的反乌托邦Númenor叙事的修订中对此进行个案研究,这些叙事涉及极权主义和殖民征服的主题。这将展示反乌托邦的表现如何增强对极权主义和帝国主义作为相互关联现象的理解。
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CiteScore
0.30
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2
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