Nonsovereign: Inoperativity from Bataille to Agamben

IF 0.2 4区 文学 0 LITERARY THEORY & CRITICISM DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2022-09-29 DOI:10.1353/dia.2021.0026
Michael Krimper
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Abstract

Abstract:Giorgio Agamben has recently expanded upon the positive and immanent potential of his archaeology of biopolitics from the perspective of inoperativity rather than work as the fundamental ontologico-political problem today. In doing so, he teases out an inoperative praxis and poetics that consists in deactivating human institutions, functions, and operations based on the metaphysical paradigm of sovereignty, all the while opening them to new possible uses. Though Agamben insists on the uncharted trajectory of his research, I argue that it closely resembles other approaches to inoperativity (or désœuvrement) undertaken by a loose filiation of French-language writers from which he departs, notably including Georges Bataille, Maurice Blanchot, Jean-Luc Nancy, and Achille Mbembe. Whereas Agamben's theory of inoperativity emphasizes a certain mode of destituent potential and use in view of the coming politics, these writers affirm the excess of finitude as a resource for refusal that animates literary and artistic creation at a distance from politics. Nevertheless, I contend that the effort of reading together the divergent formulations of inoperativity from Bataille to Agamben maps a more capacious theoretical and methodological framework for situating the dual tasks of abolishing sovereignty and improvising nonsovereign ways of doing and being in common. Their elucidations of the ethical and literary-aesthetic spheres of inoperativity in particular affirm the demands of freedom, resistance, and justice heard in nonsovereign forms of common life and shared finite existence.
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非主权:从巴塔耶到阿甘本的非操作性
摘要:乔治·阿甘本(Giorgio Agamben)最近从不可操作性的角度,而不是作为当今基本的本体论政治问题来工作,拓展了其生物政治考古学的积极和内在潜力。在这样做的过程中,他梳理出了一种不起作用的实践和诗学,即在主权的形而上学范式的基础上去激活人类的制度、功能和运作,同时为它们开辟新的可能用途。尽管阿甘本坚持他的研究的未知轨迹,但我认为,这与他离开的法语作家的松散分支所采取的其他不可行的方法(或désœuvrement)非常相似,特别是包括乔治·巴塔耶、莫里斯·布兰肖特、让-吕克·南希和阿希尔·姆本贝。尽管阿甘本的无效性理论强调了在即将到来的政治背景下破坏潜力和使用的某种模式,但这些作家肯定了有限性的过度是一种拒绝的资源,它在远离政治的情况下激发了文学和艺术创作。尽管如此,我认为,将从巴塔耶到阿甘本关于不可操作性的不同表述放在一起阅读,为定位废除主权和即兴创造非过度设计的行为方式和共同点的双重任务提供了一个更广阔的理论和方法框架。他们对不可操作性的伦理和文学美学领域的阐释,尤其肯定了在共同生活和共同有限存在的非极端形式中听到的自由、抵抗和正义的要求。
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DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM LITERARY THEORY & CRITICISM-
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期刊介绍: For over thirty years, diacritics has been an exceptional and influential forum for scholars writing on the problems of literary criticism. Each issue features articles in which contributors compare and analyze books on particular theoretical works and develop their own positions on the theses, methods, and theoretical implications of those works.
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