MICROHISTORIAS DE ARQUITECTURA Y CINE I: LOS ARQUITECTOS EN LOS CONGRESOS CINEMATOGRÁFICOS EN ESPAÑA, 1928-1931

IF 0.4 4区艺术学 0 ARCHITECTURE Proyecto Progreso Arquitectura Pub Date : 2019-05-18 DOI:10.12795/PPA.2019.I20.01

J. Cubero

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引用次数: 1

Abstract

RESUMEN La historiografia de la arquitectura ha discurrido en paralelo a la del cine, pero personajes de uno y otro mundo se movieron sin la linealidad y encorsetamiento de cada circulo profesional. Estos apuntes sobre los dos primeros congresos cinematograficos espanoles celebrados en Madrid, Primer Congreso Espanol de Cinematografia (1928) y Congreso Hispanoamericano de Cinematografia (1931), sirven de muestra acerca de la permeabilidad entre estos circulos y de contribucion a la apertura de los compartimentos estancos con que la historia muestra hoy en dia algunos itinerarios vitales y profesionales. SUMMARY The historiography of architecture has run parallel with that of film, but historical figures from each of these spheres have moved between the two without being restricted by the linearity and straitjacketing of each professional circle. These annotations on the first two Spanish film conferences held in Madrid, First Spanish Film Conference (1928) and Hispanoamerican Film Conference (1931), serve as proof of the permeability between these circles and of the contribution to bridging the gap between architecture and film, as shown in some fundamental professional career paths followed today.

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建筑与电影的微故事I: 1928-1931年西班牙电影大会上的建筑师

摘要建筑史学与电影史学平行发展，但来自一个世界和另一个世界的人物在没有每个专业圈子的线性和收缩的情况下移动。这些关于在马德里举行的前两届西班牙电影大会，即第一届西班牙电影大会（1928年）和西班牙-美洲电影大会（1931年）的说明，展示了这些圈子之间的渗透性，并有助于打开历史今天展示一些重要和专业路线的水密隔间。摘要建筑史学与电影史学平行，但每一个领域的历史人物都在两者之间移动，而不受每个专业圈子的线性和Straitjacket的限制。这些关于在马德里举行的前两届西班牙电影会议，第一届西班牙电影会议（1928年）和西班牙-美洲电影会议（1931年）的评论证明了这些圈子之间的渗透性，以及它们对弥合建筑与电影之间差距的贡献，正如今天遵循的一些基本职业生涯道路所表明的那样。

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