El silenciero de Antonio Di Benedetto: lenguaje, silencio y comunicación

IF 0.3 3区 文学 0 LITERATURE SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2021-10-02 DOI:10.1080/00397709.2021.1987633
Jorge R. G. Sagastume
{"title":"El silenciero de Antonio Di Benedetto: lenguaje, silencio y comunicación","authors":"Jorge R. G. Sagastume","doi":"10.1080/00397709.2021.1987633","DOIUrl":null,"url":null,"abstract":"Abstract Antonio Di Benedetto wrote a novel titled El silenciero, and its topic, he says, is abandonment; the narrator, without a name, suffers from abandonment and wants to write a novel, the topic of which is abandonment, he says, and title it El techo, but he never begins writing. In El silenciero, thus, we are faced with two novels: one written and the other one not; one says and the other one does not. El silenciero, consequently, may be read and understood as a commentary on the limits of language and the role of silence when it comes to communicating ideas. Under this framework, this article proposes that the novel suggests when one attempts to explain and understand the world, even when departing from logic and tautologic relationships, little can be said without becoming nonsensical and, as Wittgenstein suggests, when it is not possible to say something meaningful, silence is what fills the gap.","PeriodicalId":45184,"journal":{"name":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","volume":"75 1","pages":"247 - 260"},"PeriodicalIF":0.3000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00397709.2021.1987633","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

Abstract

Abstract Antonio Di Benedetto wrote a novel titled El silenciero, and its topic, he says, is abandonment; the narrator, without a name, suffers from abandonment and wants to write a novel, the topic of which is abandonment, he says, and title it El techo, but he never begins writing. In El silenciero, thus, we are faced with two novels: one written and the other one not; one says and the other one does not. El silenciero, consequently, may be read and understood as a commentary on the limits of language and the role of silence when it comes to communicating ideas. Under this framework, this article proposes that the novel suggests when one attempts to explain and understand the world, even when departing from logic and tautologic relationships, little can be said without becoming nonsensical and, as Wittgenstein suggests, when it is not possible to say something meaningful, silence is what fills the gap.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
安东尼奥·迪·贝内代托的沉默者:语言、沉默和交流
安东尼奥·迪·贝内代托写了一部名为《沉默》的小说,他说,小说的主题是抛弃;叙述者,没有名字,遭受遗弃,想写一本小说,主题是遗弃,他说,并命名为El techo,但他从来没有开始写。因此,在《沉默的人》中,我们面对的是两部小说:一部已写好,另一部未写;一个说,另一个不说。因此,《沉默》可以被解读和理解为对语言局限性的评论,以及在交流思想时沉默的作用。在这个框架下,本文提出,小说表明,当一个人试图解释和理解世界时,即使离开了逻辑和重言式的关系,说什么也不会变得荒谬,正如维特根斯坦所建议的那样,当不可能说一些有意义的话时,沉默就是填补空白的东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: Symposium is a quarterly journal of criticism in modern literatures originating in languages other than English. Recent issues include peer-reviewed essays on works by Jorge Luis Borges, Bertolt Brecht, Mikhail Bulgakov, Miguel de Cervantes, Denis Diderot, Fyodor Dostoevsky, Paloma Díaz-Mas, Assia Djebar, Umberto Eco, Franz Kafka, Francis Ponge, and Leonardo Sciascia. Scholars of literature will find research on authors, themes, periods, genres, works, and theory, often through comparative studies. Although primarily in English, some issues include discussions of works in the original language.
期刊最新文献
Mechanisms of Defense and Narrative Authority in Holocaust Fiction: Imagining the Perpetrator in David Grossman’s See Under: Love “The Political Dimension of the Unification-Disintegration Paradox in Mantra (2001) by Rodrigo Fresán” Stolen Limelight: Gender, Display and Displacement in Modern Fiction in French Felipe Valencia. The Melancholy Void: Lyric and Masculinity in the Age of Góngora Ilka Kressner, Ana María Mutis, and Elizabeth M. Pettinaroli, editors. Ecofictions, Ecorealities, and Slow Violence in Latin America and the Latinx World
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1