Intertextuality and influence: Chinua Achebe’s Anthills of the Savannah (1987) and Chimamanda Ngozi Adichie’s Half of a Yellow Sun (2006)

IF 0.4 3区 文学 0 LITERATURE Journal of Postcolonial Writing Pub Date : 2017-06-05 DOI:10.1080/17449855.2017.1333449
Aghogho Akpome
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引用次数: 2

Abstract

Abstract This article explores the apparent influence of Chinua Achebe’s Anthills of the Savannah on Chimamanda Ngozi Adichie’s award-winning second novel, Half of a Yellow Sun, with regard to the literary re-historicization of the Nigerian Civil War, the representation of Biafra and the renegotiation of post-independence Nigerian nationalism. It foregrounds several compelling intertextual links – stylistic and ideological – between the two works, and argues that Adichie’s novel echoes, complements and transforms aspects of Achebe’s thematization of post-independence and post-civil war Nigerian nationalism. The article seeks to expand our understanding of the evolution of literary renegotiations of nationhood across the “generations” of Nigerian writing represented by Achebe and Adichie. It also highlights the specific ways in which the works of both writers might be linked.
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互文性和影响:Chinua Achebe的《萨凡纳选集》(1987)和Chimanda Ngozi Adichie的《半个黄色的太阳》(2006)
摘要本文探讨了奇努亚·阿切贝的《萨凡纳文集》对奇玛曼达·恩戈齐·阿迪奇获奖的第二部小说《半个黄色的太阳》的明显影响,涉及尼日利亚内战的文学重新历史化、比亚夫拉的再现和独立后尼日利亚民族主义的重新谈判。它强调了两部作品之间几个引人注目的互文联系——风格和意识形态,并认为阿迪奇的小说呼应、补充和改变了阿切贝对独立后和内战后尼日利亚民族主义的主题化。这篇文章试图扩大我们对以阿切贝和阿迪奇为代表的尼日利亚“几代人”写作中关于国家地位的文学重新谈判的演变的理解。它还强调了两位作家的作品可能联系在一起的具体方式。
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
73
期刊介绍: The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.
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